{"title":"Reflections","authors":"K. Temple","doi":"10.2307/j.ctvpj7c8w.3","DOIUrl":"https://doi.org/10.2307/j.ctvpj7c8w.3","url":null,"abstract":"","PeriodicalId":404410,"journal":{"name":"This Place Called Notre Dame","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122205087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back Matter","authors":"","doi":"10.2307/j.ctvpj7c8w.9","DOIUrl":"https://doi.org/10.2307/j.ctvpj7c8w.9","url":null,"abstract":"","PeriodicalId":404410,"journal":{"name":"This Place Called Notre Dame","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129150297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"INDEX OF PHOTOGRAPHS","authors":"Gurjara Pratihara","doi":"10.2307/j.ctvpj7c8w.8","DOIUrl":"https://doi.org/10.2307/j.ctvpj7c8w.8","url":null,"abstract":"1.1, Tripushkar Playing, Mathura, 200 B.C. 1.2, Tripushkar playing, Bharhut, 200 B.C 1.3,Tripushkar playing, 150 B.C. Sanchi 1.4, Orchestra with dance, Padaya, 500 A.D. 1.5, Orchestra with dance, Ajanta, Cave no. 26 1.6, Tripushkar playing by Siva with orchestra, 600 A.D 1.7, Siva dancing, Pallava, 7th century A.D 1.8, Siva dancing with music orchestra, Pandya, 8th century A.D. 1.9, Natesa, Gurjara Pratihara, 9th century AD., Abaneri. 1.10, Nataraja, Gurjara Pratihara, Minai 9th century A.D. 1.11, Picture for Dipushkar player, a). Ballaibadi, Dhaka, 10th century A.D. 1.11, Picture for Dipushkar player, b). Maduraha, 17th century A.D. 1.12, Picture for ladies Tabla player, Delhi in 17tl? century A.D. 1.13, a). Picture for a Tabla player, at Jammu 1.13, b). Picture for a Tabla player at Kangda. 1.14, The covering page of Table ka Udgam, Vikas Aur Vadan Shailiyan, by Yogmaya Shukla, pic-1. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-21. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-3. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-9. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-12. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-173. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-193. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-137.","PeriodicalId":404410,"journal":{"name":"This Place Called Notre Dame","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134522581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}