Experiments in Exile最新文献

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1. WHAT HAPPENED TO THE MOTLEY CREW? 1. 那些杂七杂八的船员怎么样了?
Experiments in Exile Pub Date : 2020-12-31 DOI: 10.1515/9780823279814-002
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引用次数: 0
3. UNDOCUMENTS 3.UNDOCUMENTS
Experiments in Exile Pub Date : 2020-12-31 DOI: 10.1515/9780823279814-004
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引用次数: 0
ACKNOWLEDGMENTS 致谢
Experiments in Exile Pub Date : 2020-12-31 DOI: 10.1515/9780823279814-005
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引用次数: 0
Index 指数
Experiments in Exile Pub Date : 2020-12-31 DOI: 10.1515/9780823279814-008
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引用次数: 0
Frontmatter
Experiments in Exile Pub Date : 2020-12-31 DOI: 10.1515/9780823279814-fm
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引用次数: 0
2. DIALECTIC OF CONTACT 2. 接触辩证法
Experiments in Exile Pub Date : 2020-12-31 DOI: 10.1515/9780823279814-003
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引用次数: 0
Dialectic of Contact 接触辩证法
Experiments in Exile Pub Date : 2018-08-07 DOI: 10.5422/fordham/9780823279784.003.0003
L. Harris
{"title":"Dialectic of Contact","authors":"L. Harris","doi":"10.5422/fordham/9780823279784.003.0003","DOIUrl":"https://doi.org/10.5422/fordham/9780823279784.003.0003","url":null,"abstract":"In this chapter I examine James’s and Oiticica’s entries into the U.S. and their attempts to situate themselves there. Cut off from the contact they had once had with this aesthetic sociality, contact that had radicalized their earlier work, they try to reconstruct the conditions of possibility for something like it in the U.S. They both imagine a kind of communion with the population at large, in communal modes of reception of popular art, but the opportunity for such reception is elusive, already lost or still anticipated, or only temporary, fleeting. In the face of this inconstancy, they work toward the construction of new apparatuses—the Correspondence organization and organ and living and working spaces called “nests”—in and through which they hoped to invite and structure contact, including contact with and between those forces they found most vital in the U.S., the disenfranchised, the marginal, the queer, the ones who precariously inhabit citizenship’s outer edge in modes of aesthetic sociality that were both severely constrained and unprecedentedly open. The new forms of aesthetic sociality James and Oiticica sought would take shape in and through new experimental practices that attempted to reformulate the very idea of work or working as their bases.","PeriodicalId":399308,"journal":{"name":"Experiments in Exile","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129379016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Happened to the Motley Crew? 混血儿们怎么了?
Experiments in Exile Pub Date : 2018-08-07 DOI: 10.5422/fordham/9780823279784.003.0002
L. Harris
{"title":"What Happened to the Motley Crew?","authors":"L. Harris","doi":"10.5422/fordham/9780823279784.003.0002","DOIUrl":"https://doi.org/10.5422/fordham/9780823279784.003.0002","url":null,"abstract":"In this chapter I examine James’s and Oiticica’s “discovery” of what I conceive of to be the active remains of the motley crew in the aesthetic sociality of blackness. I explore the claim they each make on it, on its modes of composition, arrangement and assembly, and the claim it makes on them, by way of some of their early experiments—James’s Minty Alley, the novel he wrote in Trinidad as an “exercise,” and Oiticica’s Parangolé, the banners, tents and capes whose activation would constitute what he would come to describe, through a phrase he adopts from Brazilian art critic Mário Pedrosa, as an “experimental exercise of freedom.” Both claim the aesthetic sociality of blackness by “appropriating” elements of the creative practices they encountered, the spectacular performance of cricket and samba and the more quotidian performances connected to them, the forms of assembly that James observed in conversations in the barrack-yards and that Oiticica observed in the architecture of the favelas. I look at the ways their claims take shape in these early works and the way the counterclaim of that sociality opens up those shapes, using it as a vehicle for its own expression, one that can’t quite be contained by the works themselves or the gesture of appropriation.","PeriodicalId":399308,"journal":{"name":"Experiments in Exile","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115708346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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