Rethinking Darkness最新文献

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Contact zones 接触区
Rethinking Darkness Pub Date : 2020-10-28 DOI: 10.4324/9780429259654-14
Natalie Marr
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引用次数: 0
Going dark 将黑暗
Rethinking Darkness Pub Date : 2020-10-28 DOI: 10.4324/9780429259654-18
Martin Welton
{"title":"Going dark","authors":"Martin Welton","doi":"10.4324/9780429259654-18","DOIUrl":"https://doi.org/10.4324/9780429259654-18","url":null,"abstract":"","PeriodicalId":389984,"journal":{"name":"Rethinking Darkness","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127596609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How does the dark sound? 黑暗听起来怎么样?
Rethinking Darkness Pub Date : 2020-10-27 DOI: 10.4324/9780429259654-15
Damien Masson
{"title":"How does the dark sound?","authors":"Damien Masson","doi":"10.4324/9780429259654-15","DOIUrl":"https://doi.org/10.4324/9780429259654-15","url":null,"abstract":"Research on dark landscapes insists mostly on the sense of sight, as dark is primarily a seeable quality that comes as necessarily related to light. Nevertheless, in which ways darkness plays a role when it comes to the sonic apprehension of place, representations and experiences? This paper considers dark soundscapes, through filmic representation, firstly, by focusing on how sonic atmospheres of dark moments are staged in fiction. In so doing, it points out that darkness appears to be sounded by using some sonic effects such as desynchronization, ubiquity, reverb and clarity. The recurrent use of these effects shows that, beyond being staging techniques, they come along shared representations of how dark urban place might sound. Secondly, the chapter criticizes these ways of sounding dark urban landscapes in fiction, by analyzing a set of recordings and interviews that were made in dark urban settings. They show how a dense understanding of dark soundscapes contributes to widening one of urban atmospheres as synesthetic processes. In conclusion, this chapter contributes to showing that visual and sonic dark landscapes share more than visual and sonic landscapes in light, as they both built on co-extensive temporal and pragmatic processes. The interest in the question of darkness contributes to extending research on space and places by opening it to the theme of cosmic rhythms and their effects on the social world. Many of the social science works on night and darkness have shown how night, as a particular time of social activities, and darkness, as a specific quality of the ordinary luminous environment, configure specific ordinary and professional practices and policies (Fiori, 2000; Dunn, 2019; Ebbensgaard, 2019a; Gwiazdzinski, 2019); concern different groups (Wilkinson and Wilkinson, 2018); and refer to specific representations, values and imaginations (Koslofsky, 2011; Edensor, 2017a). In this sense, these works show that considering space and places in a situation of darkness does not amount to setting up a negative mirror of the situation of light, as does the “day for night” – or “American night” in French (a filmmaking process to make sequences filmed in daylight appear as if they are shot at night by the use of a material, or post-processed color, mostly blue filter). In doing so, through their interest in understanding the relationships that articulate place and darkness, these works unfold the lived worlds to highlight a blind zone of most urban research, as well as research on place which, without saying, is research applied to clarity. And these studies show the importance of understanding the reconstruction of a standardized universe based on clarity, the richness of alternative experiences and the diversification of the sensory world it proposes. Moreover, among the small existing body of work on darkness, most of these insist on the sense of sight, as dark is primarily a seeable quality that comes as necessarily related to light","PeriodicalId":389984,"journal":{"name":"Rethinking Darkness","volume":"149 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122457414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
In the night garden 在夜晚的花园里
Rethinking Darkness Pub Date : 2020-10-27 DOI: 10.4324/9780429259654-5
Alice Barnaby
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引用次数: 0
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