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CHAPTER 7 Hard Rain: The End of Times and Christian Modernism in the Work of Bob Dylan 第七章大雨:鲍勃·迪伦作品中的时代终结与基督教现代主义
A God of Time and Space Pub Date : 1900-01-01 DOI: 10.23865/noasp.74.ch7
A. Andersen
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引用次数: 0
CHAPTER 5 The Visual Dylan: Religious Art, Social Semiotics and Album Covers 第五章视觉迪伦:宗教艺术、社会符号学和专辑封面
A God of Time and Space Pub Date : 1900-01-01 DOI: 10.23865/noasp.74.ch5
Geir Winje
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引用次数: 0
CHAPTER 8 Bob Dylan’s Ten Commandments – a Method for Personal Transformation 第八章鲍勃·迪伦的十诫——一种个人转变的方法
A God of Time and Space Pub Date : 1900-01-01 DOI: 10.23865/noasp.74.ch8
Petter Fiskum Myhr
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引用次数: 0
CHAPTER 4 When the Wind is the Answer: The Use of Bob Dylan Songs in Worship Services in Protestant Churches 第四章当风是答案:鲍勃·迪伦的歌曲在新教教堂礼拜仪式中的使用
A God of Time and Space Pub Date : 1900-01-01 DOI: 10.23865/noasp.74.ch4
P. K. Botvar
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引用次数: 0
CHAPTER 6 Bob Dylan’s Conversions: The “Gospel Years” as Symptom and Transition 第六章鲍勃·迪伦的转变:作为征兆和过渡的“福音年代”
A God of Time and Space Pub Date : 1900-01-01 DOI: 10.23865/noasp.74.ch6
Gisle Selnes
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引用次数: 0
CHAPTER 2 “The Titanic sails at dawn”: Bob Dylan, “Tempest”, and the Apocalyptic Imagination 第二章“泰坦尼克号在黎明起航”:鲍勃·迪伦、《暴风雨》和启示录的想象
A God of Time and Space Pub Date : 1900-01-01 DOI: 10.23865/noasp.74.ch2
Robert W. Kvalvaag
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引用次数: 0
CHAPTER 3 Against Liberals: Multi-layered and Multi-directed Invocation in Dylan’s Christian Songs 第三章反对自由主义者:迪伦基督教歌曲中多层次、多向的祈祷
A God of Time and Space Pub Date : 1900-01-01 DOI: 10.23865/noasp.74.ch3
E. Aadland
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引用次数: 0
CHAPTER 1 “Señor (Tales of Yankee Power)”: A Window into Bob Dylan’s Existential and Religious World 第一章“Señor(洋基力量的故事)”:鲍勃·迪伦的存在主义和宗教世界的窗口
A God of Time and Space Pub Date : 1900-01-01 DOI: 10.23865/noasp.74.ch1
Reidar Aasgaard
{"title":"CHAPTER 1 “Señor (Tales of Yankee Power)”: A Window into Bob Dylan’s Existential and Religious World","authors":"Reidar Aasgaard","doi":"10.23865/noasp.74.ch1","DOIUrl":"https://doi.org/10.23865/noasp.74.ch1","url":null,"abstract":"“Señor (Tales of Yankee Power)” is a central song on Street-Legal, the album Bob Dylan released in 1978, a short time before his Christian conversion experience and the so-called Christian album trilogy of 1979–1981. Within the setting of a journey through a half-real, half-mythical landscape, the song describes an encounter between an I-figure, the singer, and his travel companion, a mysterious, silent “señor”, with the singer going through a process of growing frustration leading to a state of existential despair. The article gives a close, narrative reading of the lyrics and analyzes the song within the contexts of the album, of the development of Dylan’s religious language, of his performances of the song from 1978 to 2011, and of his own comments on it. The main conclusion is that “Señor” can be read in different ways, but that religion, and Christianity in particular, plays an important and integral part in the various readings. The song reflects Dylan’s artistic and personal situation at the time, also by foreshadowing his conversion experience, but at the same time belongs within a long trajectory of Dylan songs from the 1960s until today which deal with fundamental human themes related to history, society, social relations, religion, and life in general.","PeriodicalId":370963,"journal":{"name":"A God of Time and Space","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127201902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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