Creative Generation Journal最新文献

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Learning Unlearning: Deja Tu Huella: Youth Art And Unlearning In Colombia 学习忘却:Deja Tu Huella:哥伦比亚的青年艺术与忘却
Creative Generation Journal Pub Date : 2022-02-17 DOI: 10.51163/creative-gen008
J. Campbell
{"title":"Learning Unlearning: Deja Tu Huella: Youth Art And Unlearning In Colombia","authors":"J. Campbell","doi":"10.51163/creative-gen008","DOIUrl":"https://doi.org/10.51163/creative-gen008","url":null,"abstract":"We are all on a journey of learning and unlearning. I’ve always heard that it’s more difficult to re-teach a student a concept once they’ve learned it incorrectly - and I think the same is true for unlearning. We are creatures of habit, and must make a deliberate effort to do this type of work. Who will lead the charge? If Colombia is any indication, it’s the youth who will continue to push global societies to unlearn. Just as it was here in the United States and around the world during the Black Lives Matter summer protests of 2020, youth are the catalysts for unlearning - and often, art is their medium. One of my favorite concepts that I gleaned from this experience is the idea of Deja Tu Huella. In Latin American cultures, this phrase embraces the action of pushing boundaries with your unique individuality and translates to “leave your mark” in English. One of the youth art exhibits I witnessed was entitled Deja Tu Huella and featured youth contributions of what they hoped to see in Colombia’s future - perhaps their own contributions to the betterment of society. I love the specificity and action-oriented nature of this phrase, and it seems to be fairly embedded in the fabric of Latin American cultures. What could be more profound than doing the hard work of unlearning and passing that on, thereby leaving your mark for the greater wellbeing of society?","PeriodicalId":365625,"journal":{"name":"Creative Generation Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127962077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Guiding Principles for the Assessment of Arts Learning: A Discussion Draft Created by Delegates at the 10th World Summit on Arts Education October 11-15, 2021 《艺术学习评估指导原则:第十届世界艺术教育峰会代表讨论稿》(2021年10月11-15日
Creative Generation Journal Pub Date : 2021-11-01 DOI: 10.51163/creative-gen006
Timothy S. Brophy, Cobi Krieger, Maria Cristina Leite, Marcia McCaffrey, D. Wolf, J. Poulin
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引用次数: 0
How Can Networks Cultivate the Conditions for Young Creatives to Thrive? 网络如何为年轻的创意人创造茁壮成长的条件?
Creative Generation Journal Pub Date : 2021-10-08 DOI: 10.51163/creative-generation004
Parker Stephen Nolan
{"title":"How Can Networks Cultivate the Conditions for Young Creatives to Thrive?","authors":"Parker Stephen Nolan","doi":"10.51163/creative-generation004","DOIUrl":"https://doi.org/10.51163/creative-generation004","url":null,"abstract":"As observers to the intersectional fields of culture, education, and social change, Creative Generation witnessed the chosen organizational structure of “networks” come into vogue – particularly as smaller, community-based organizations have begun to participate in larger-scale, collaborative initiatives. In almost all examples, the individuals and organizations involved do their collaborative work through a “network,” using any number of connections and patterns. This qualitative inquiry sought to understand how applying Network Theory to organizational structures can cultivate the conditions to support young creatives. Through literature and conducting interviews with leaders of diverse networks in the arts and cultural education fields, this project provides an overview of Network Theory and examines examples of various models. This report proposes the following set of provocations for the field to interrogate the use of Network Theory in their projects’ implementation: strong connections between the network and its participants, shared power among network leadership and participants, clear expectations about funding, and specific role for young creatives in decision-making.","PeriodicalId":365625,"journal":{"name":"Creative Generation Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116209517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pathways for Centering Creative Youth in Community Development: A field scan commissioned by ArtPlace America 以创意青年为中心的社区发展之路:由ArtPlace美国委托进行的实地扫描
Creative Generation Journal Pub Date : 2020-12-14 DOI: 10.51163/creative-gen002
J. Poulin
{"title":"Pathways for Centering Creative Youth in Community Development: A field scan commissioned by ArtPlace America","authors":"J. Poulin","doi":"10.51163/creative-gen002","DOIUrl":"https://doi.org/10.51163/creative-gen002","url":null,"abstract":"Young people are envisioning the future of their communities. The future is theirs. Youth see the challenges our communities are facing today and understand the need to use their creativity to dismantle our problematic systems. As adults, we must support the creative work of youth, cede power where possible, and uplift their visions for the future. \u0000\u0000To do this, we must understand the immense and expansive impact of creative youth on communities. Through this research initiative, young creative people, their adult allies, and a team of researchers have reviewed literature, data sets, and case studies – comprised of interviews, narratives, and artistic works – to examine the challenges and opportunities that exist at the intersection of arts & culture, community development, and youth development. \u0000\u0000This field scan seeks to answer the question: What impact do creative youth have on communities?\u0000\u0000Following an introduction that includes the research design and methods, we provide an outline of the context of this work that emphasizes where the field is now, as addressed by the current literature and the combined crises and insights of 2020. We then present the key findings that seek to expand on our simple answer to the question posed above presented through the perspectives of young creatives. \u0000\u0000Unabashedly, young creatives believe their projects benefit both people and places and promote more just and thriving communities.\u0000\u0000In the following two sections, we provide emerging lessons that include both additional learnings from the research and a set of researcher-generated provocations articulating the ideas that young creatives shared about the future of their projects in communities.\u0000\u0000Upon deep analysis, we conclude that through creative youth & community development projects, creative young people impact their communities in significant ways which too often go unacknowledged. We conclude that in communities where creative youth & community development projects are present, youth see a future where:\u0000Youth increase creativity and cultivate greater agency in themselves and others\u0000Communities (people and places) are more sustainable and responsive\u0000Youth-serving organizations honor personal identity and build collective belonging\u0000Places and their populations are healthier, safer, and better able to foster wellbeing\u0000Youth and adults catalyze intergenerational cultural continuity\u0000Further, we found an increased importance of partnering across sectors and among stakeholders to increase the impacts of creative youth in communities. Creative youth believe their projects benefit from working “in community” with others, meaning strategically investing time, resources, and relationships with other youth, adults, projects, and organizations. By doing so, they believe their projects have a greater impact on people and places. Through our analysis of the full sample of programs, we discovered a significant portion of the field uses youth development and creative ","PeriodicalId":365625,"journal":{"name":"Creative Generation Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134309331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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