Rural Modernity in Britain最新文献

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The ‘Uncertainty of Our Climate’: Mary Kelly and the Rural Theatre “气候的不确定性”:玛丽·凯利和乡村剧院
Rural Modernity in Britain Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474420952.003.0008
A. Walker
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引用次数: 0
Celebrating England: ‘Heritage’ Writing and the Rural Novelist 庆祝英格兰:“传统”写作和乡村小说家
Rural Modernity in Britain Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474420952.003.0013
Dominic Head
{"title":"Celebrating England: ‘Heritage’ Writing and the Rural Novelist","authors":"Dominic Head","doi":"10.3366/edinburgh/9781474420952.003.0013","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474420952.003.0013","url":null,"abstract":"In this chapter, Dominic Head focusses on the relationship between nonfiction English heritage writing by popular rural novelists and the same writers’ rural/regional visions explored through their novels of the 1930s and Second World War. Rather than discovering a uniform and distasteful indulgence in easy sentiment or idealizing fantasy, Head’s careful analysis of rural novelists’ nonfiction about rural places and people reveals a richness of approach, from the unexpectedly radical (Henry Williamson’s The Village Book (1930)) to predictably conservative (Francis Brett Young’s Portrait of a Village (1938)), to something in between (Doreen Wallace’s novels, ‘Face of Britain’ books, and ‘Batsford Home Front Handbook’, How to Grow Food (1940)). The chapter summarizes and periodizes the heritage writing of the 1930s-1940s, arguing that it is a genre that may generate a self-consciousness about nation and identity that is inseparable from a pervasive anxiety about modernity.","PeriodicalId":337161,"journal":{"name":"Rural Modernity in Britain","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116393477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Weighing Down the Landscape: The Quarry as a Site of Rural Modernity 压垮景观:采石场作为乡村现代性的一个场所
Rural Modernity in Britain Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474420952.003.0005
Annales Henri Poincar´e, P. Gohlke, A. Mitchell, D. Rust, Tony Samuel
{"title":"Weighing Down the Landscape: The Quarry as a Site of Rural Modernity","authors":"Annales Henri Poincar´e, P. Gohlke, A. Mitchell, D. Rust, Tony Samuel","doi":"10.3366/edinburgh/9781474420952.003.0005","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474420952.003.0005","url":null,"abstract":"This chapter argues that late nineteenth- and early twentieth-century artists seem to have been especially attracted by quarries, treating them as a means of exploring modernity through the lens of rural romanticism. Quarries regularly appear in paintings in many of the artists associated with rural modernity: William Rothenstein, Edward Wadsworth, Walter Bell, Roger Fry, and J. D. Fergusson, among them. Appreciating that there is no single way of categorising and representing quarries, this chapter (the first ever study of this important subject) explores many of the common themes to be found in paintings of quarries in the first half of the twentieth century. It considers a wide range of artists and art-works — the majority of which are owned by rural art galleries — in close relation to the history of rural industries in such regions as Cornwall, West Yorkshire, and Edinburgh.","PeriodicalId":337161,"journal":{"name":"Rural Modernity in Britain","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133444392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Beyond Portmeirion: The Architecture, Planning and Protests of Clough Williams-Ellis 超越预言:克拉夫·威廉姆斯-埃利斯的建筑、规划和抗议
Rural Modernity in Britain Pub Date : 2018-10-31 DOI: 10.3366/edinburgh/9781474420952.003.0012
N. Harrison, Iain J. M. Robertson
{"title":"Beyond Portmeirion: The Architecture, Planning and Protests of Clough Williams-Ellis","authors":"N. Harrison, Iain J. M. Robertson","doi":"10.3366/edinburgh/9781474420952.003.0012","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474420952.003.0012","url":null,"abstract":"Clough Williams-Ellis is famous (or infamous) for his preservationist activities, leading the Campaign to Protect Rural England and the Design and Industries Association and writing that most famous of protests against interwar development, England and the Octopus (1928). This chapter argues that Williams-Ellis’s preservationist campaigning was not the expression of backward-looking nostalgia, but of a progressive, modernizing quest to convert the nation to orderly planning. In pursuit of this quest, he advocated adoption of new towns, national parks, motorways, and town and country planning; the culmination of all this work was the comprehensive planning legislation of the Labour government formed in 1945. Nigel Harrison and Iain Robertson seek to move beyond Williams-Ellis’s best known creation, the village of Portmeirion, typically dismissed as an unfortunate experiment in retrograde rural vernacular, to consider Clough Williams-Ellis’s activities in their totality and to position him as a key theorist of rural modernity.","PeriodicalId":337161,"journal":{"name":"Rural Modernity in Britain","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134063265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Borderlands: Visual and Material Culture in the Interwar Anglo-Scottish Borders 《边疆:两次世界大战期间盎格鲁-苏格兰边境的视觉与物质文化》
Rural Modernity in Britain Pub Date : 2018-10-31 DOI: 10.3366/edinburgh/9781474420952.003.0011
Ysanne Holt
{"title":"Borderlands: Visual and Material Culture in the Interwar Anglo-Scottish Borders","authors":"Ysanne Holt","doi":"10.3366/edinburgh/9781474420952.003.0011","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474420952.003.0011","url":null,"abstract":"In the early 1920s the artist Ben Nicholson and his first wife Winifred Dacre moved to the edge of the English-Scottish border. Within a rugged terrain traditionally imagined as primitive, elemental, and romantic, a culture of crafts and especially of textile production emerged to which artists such as the Nicholsons were to contribute, but which was dependent on increasingly modernising traditions and the skills of resident makers and designers from each side of the border. Ysanne Holt concentrates in this chapter upon the specificity of this place in the 1920s and 1930s, exploring diverse connections between artists, crafts-people, designers, and manufacturers, the training and experience of workforces and the developing networks that crossed from rural to urban contexts within the region and beyond. She discovers a ‘borderland’ aesthetic that brought traditional skills into line with new technologies and combined national and international sources with local histories and heritage.","PeriodicalId":337161,"journal":{"name":"Rural Modernity in Britain","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125563541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Hiraeth and Ambiguous Pastorals: Wales, England and Rural Modernities between the Wars 《荒野与模糊的田园:两次世界大战之间的威尔士、英格兰与乡村现代性》
Rural Modernity in Britain Pub Date : 2017-05-05 DOI: 10.3366/edinburgh/9781474420952.003.0007
Chris Hopkins
{"title":"Hiraeth and Ambiguous Pastorals: Wales, England and Rural Modernities between the Wars","authors":"Chris Hopkins","doi":"10.3366/edinburgh/9781474420952.003.0007","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474420952.003.0007","url":null,"abstract":"Chris Hopkins traces the ways in which the relationship between past and present, rural and urban, arises in specific forms in Welsh culture and history, but is then (re)presented to English (and other Anglophone) readers and audiences as an ambiguous pastoral narrative about the supplanting of the rural by the modern is a story of both loss and consolation. Hopkins’s argument is driven by the question of how, despite hiraeth’s [nostalgia’s, yearning’s] specifically Welsh roots, so many English readers and audiences during the interwar period were attracted to popular texts which presented them with stories of Wales as a nation and region with strong associations to the rural past and industrial modern. Close readings focus on periodicals Wales and Welsh Review; novels by Jack Jones, Lewis Jones, and Eiluned Lewis; travel guides by Rhys Davies and Eiluned and Peter Lewis; and plays by Emlyn Williams and Richard Llewellyn.","PeriodicalId":337161,"journal":{"name":"Rural Modernity in Britain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130491548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Rural Modernity in Britain 导论:英国的乡村现代性
Rural Modernity in Britain Pub Date : 1900-01-01 DOI: 10.3366/edinburgh/9781474420952.003.0001
K. Bluemel, M. McCluskey
{"title":"Introduction: Rural Modernity in Britain","authors":"K. Bluemel, M. McCluskey","doi":"10.3366/edinburgh/9781474420952.003.0001","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474420952.003.0001","url":null,"abstract":"The introduction defines what is meant by rural modernity, what work has informed this understanding, and how this concept offers a new reading of early twentieth-century British literature, art, and culture. It begins with an analysis of ongoing work in social history, rural studies, and cultural geography that has engaged with ideas of rural modernity. It then considers recent work in literary studies and modernist studies that tends to polarize the writers, artists, and their works that this book brings together. Finally, it offers a rationale for the organization of this collection of essays, provides a brief summary of individual chapters, and draws out the themes explored within and developed across chapters.","PeriodicalId":337161,"journal":{"name":"Rural Modernity in Britain","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116655225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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