Personal ViewsPub Date : 2019-05-17DOI: 10.7202/1059885AR
C. Harman
{"title":"Brian Cherney in Conversation with Chris Paul Harman","authors":"C. Harman","doi":"10.7202/1059885AR","DOIUrl":"https://doi.org/10.7202/1059885AR","url":null,"abstract":"In conversation with his McGill composition colleague Chris Paul Harman, Brian Cherney discusses his university education and his career as a composer, from his earliest works in the 1960s up to 2017.","PeriodicalId":324925,"journal":{"name":"Personal Views","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130706897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Personal ViewsPub Date : 2019-05-17DOI: 10.7202/1059883AR
B. Cherney
{"title":"How I Might Have Become a Composer","authors":"B. Cherney","doi":"10.7202/1059883AR","DOIUrl":"https://doi.org/10.7202/1059883AR","url":null,"abstract":"Brian Cherney reflects on his childhood and youth in Peterborough, Ontario, in the 1940s and 1950s and his musical studies at the University of Toronto. He considers the varied influence that family, recordings, CBC broadcasts, attending live concerts, piano lessons, reading about music, and spending time in Europe in the late 1960s had in shaping his emerging interest in becoming a composer. Cherney considers that it was only in the mid-1970s, after his appointment to McGill in 1972, that he developed the self-awareness, critical insight, and confidence to become a mature composer … someone who dared, in T.S. Eliot’s words, to “disturb the universe.”","PeriodicalId":324925,"journal":{"name":"Personal Views","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124206607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Personal ViewsPub Date : 2019-05-17DOI: 10.7202/1059884AR
J. Beckwith
{"title":"Brian Cherney: Collaborator and Composer","authors":"J. Beckwith","doi":"10.7202/1059884AR","DOIUrl":"https://doi.org/10.7202/1059884AR","url":null,"abstract":"This article includes comments on some of Cherney’s compositions, and an account of his work on Weinzweig: Essays on His Life and Music (Waterloo: Wilfrid Laurier University Press, 2011), of which he and John Beckwith were the co-editors. Cherney’s approach to composing equips him for dealing with a wide range of musical questions, and his exceptional command of both German and Jewish history (as evidenced, for example, in his University of Toronto dissertation on the Bekker-Pfitzner controversy of 1919, and in his essay on the sources of Weinzweig’s radicalism in the 2011 publication) has in turn suggested avenues of exploration in his creative work. Further observations touch on his gift for parody and musical in-jokes.","PeriodicalId":324925,"journal":{"name":"Personal Views","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132892587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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