{"title":"THE GENESIS AND EVOLUTION OF LENGTHENING (AḶAPEṬAI) IN TRADITIONAL TAMIL GRAMMAR BOOKS","authors":"Annapoornima Ayyakannu, Sundaram Lakshmanan","doi":"10.34256/vp2211","DOIUrl":"https://doi.org/10.34256/vp2211","url":null,"abstract":"Succeeding books after Tolkāppiyam are Vīracōḻiyam, Nēminātam, Naṉṉūl, Ilakkaṇa viḷakkam, Toṉṉūl viḷakkam, Cuvāminātam, Aṟuvakai ilakkaṇam, Muttuvīriyam, Tamiḻnūl, Teṉṉūl, Vaḷartamiḻ ilakkaṇam, Tamiḻkkāppu iyam. All these traditional grammar books are written in verse. The research paper attempts to explore the similarities, differences and contemporary usage of Lengthening / Long sound (Aḷapeṭai) among the above listed books. While making a complaint or singing a song or calling out for someone or crying out of pain or selling the goods, the last alphabet is pronounced long. The study further analyses that how Tamiḻnūl, Vaḷartamiḻ ilakkaṇam, Tamiḻkkāppu iyam classify and exercise ‘Aḷapeṭai’ in the modern context.","PeriodicalId":324456,"journal":{"name":"International Research Journal of Tamil Literary Studies","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132900490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ALWARGAR PAASURANGALIL THIRUKURALIN THAKKAM","authors":"Sangeethratha N.S.K","doi":"10.34256/vp2212","DOIUrl":"https://doi.org/10.34256/vp2212","url":null,"abstract":"The period of Bakthi literature is one of the most important and Revolutionary of the history of Tamil literature. The Ancient Religion of Saiva and Vainava competed each other and also ignored other religions. During this period Nayanmars and Alwars enriched their religions and also florised the Tamil language. Alwars and Nayanmars created the Bhakthi literature of Thevaram, Thiruvasagam and Nalaiyira Dhivya Prabhantham. Impact of Sangam literature reflected in Bakthi literature not only Sangam literature and Moral literature also. Based on this, The Main moto of this article how the Thirukural’s thoughts spread in Alwar’s Paasurangal.","PeriodicalId":324456,"journal":{"name":"International Research Journal of Tamil Literary Studies","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133838591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SIMPLE METHOD IN TEACHING TAMIL YAAPPU GRAMMAR","authors":"Manonmani Devi M.A.R Annamalai","doi":"10.34256/vp2213","DOIUrl":"https://doi.org/10.34256/vp2213","url":null,"abstract":"The specialty of the Tamil Language lies in its excellent grammatical structure. There are five types of grammar: Letters, Words, Porul (Meanings), Yaappu, and Ani. Among these are the grammar of composing verses and preserving the structure of Tamil poetry. Intricate elements such as ethugei, monei, iyebu express the specialty that can be placed within each foot. Due to the presence of these elements in poetry/seiyul, one can easily memorise and store it in his/her memory bank. Yaappu grammar knowledge is important not only to poetry writing enthusiasts but also to avid poetry readers. The first step that Yaappu grammar learners need to know is separating the ‘seer’. The younger generation consider this separation aspect to be the most difficult task. Not surprisingly, the younger generation does not show much interest in learning Yaappu grammar. If we really manipulate the deconstruction technique with the simple mathematical knowledge that we have, Yaappu grammar will be easy for everyone. Therefore, the purpose of this article is to introduce a simple technique of sorting, using the mathematical knowledge to introduce the learning and teaching process for university students and to identify the directory status of the students through pre-testing and post-testing.","PeriodicalId":324456,"journal":{"name":"International Research Journal of Tamil Literary Studies","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117095201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"EXPLORING TIRUMULAR'S LOVE OF THE BODY IN COGNITIVE PSYCHOLOGY","authors":"M. Padmapriya","doi":"10.34256/vp2131","DOIUrl":"https://doi.org/10.34256/vp2131","url":null,"abstract":"The principles of the Siddharthas are instructive of the ideas of instability. In particular, it is advisable to go beyond the stages of yak (physical) instability, youth instability, and wealth instability and ignore worldly attachments as everything is unstable. Furthermore, it is possible that the songs sound like a body that depicts the body as an erotic state and regrets the depravity of the body. However, some Siddhas refer to the body as the state of the Lord. Notable among them is Tirumular. He loves the body as Shiva. His songs transform the ordinary human body into a body of devotion. Kayasitthi's lifestyle is revealed in the package \"Udale Sivam\". When songs about Tirumular's health are studied with psychological factors, the intuitional stimuli of his life experience resonate in the songs.","PeriodicalId":324456,"journal":{"name":"International Research Journal of Tamil Literary Studies","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123619293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"RHETORICAL CONNOTATIONS OF THE PHARSE ‘THINNAI’","authors":"Sivakumar","doi":"10.34256/vp2134","DOIUrl":"https://doi.org/10.34256/vp2134","url":null,"abstract":"The ‘word’ means that everyone knows what it means. Time and space confirm that ‘word’ is the ‘meaning’ of the word. Tholkappiyar who says that everything is about meaning. The word 'Thinnai' is given in many meanings in the Tamil language. Tholkappiyar refers to 'Thinnai' by other names when thinking about language. He clarified the Tamil grammar by using different types of names when thinking about the meaning found in the literature. The pharse ‘'Thinnai'’ depending on the grammar and the literature it has been handled in a multiple of ways. In Tamil literature it is known for its dependence on land and its morality. The word ‘'Thinnai'’ is known in various context in Tamil Literature.","PeriodicalId":324456,"journal":{"name":"International Research Journal of Tamil Literary Studies","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127918883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NEW RULES AND THOLKAAPPIYA RULES IN NANNUL GRAMMAR","authors":"Manonmani Devi","doi":"10.34256/vp2132","DOIUrl":"https://doi.org/10.34256/vp2132","url":null,"abstract":"Next to the canonical Tholkaappiyam, the book entitled 'Nannool' stands out as the one that closely follows the Tamil grammatical tradition. This book can be considered as a sequel to the 'Tholkaappiyam' with respect to the rudimentary Tamil grammar rules used, though some of which have been omitted over the years, with some improvisations added. 'Nannool' has fine-tuned some aspects which Tholkaappiyam had eleborated in detail to an easier & simplified version of understanding and at the same time consolidated the grammar knowledge within it. The 'word punarchi' rules found in 'Nannool' along with the new added-on 'word punarchi' rules not mentioned in Tholkaappiyam are looked at closely and reviewed in detail in this study. This is the primary aim of this study.","PeriodicalId":324456,"journal":{"name":"International Research Journal of Tamil Literary Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116957217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SUJATHA'S WORKS ON THE BACKGROUND OF LANGUAGE","authors":"Jainambu Barvin, M. Anwar","doi":"10.34256/vp2133","DOIUrl":"https://doi.org/10.34256/vp2133","url":null,"abstract":"The purpose of this study is to explore the innovations that creator Sujatha has used in her works and that she has some unique identities in handling language. The explanatory approach approach has been handled based on the thread study of this study. The researcher confirms that Sujatha is also a great creator in the world of Tamil literature. Creators use many elements in their work to convey to the reader the emotions they have received. The creator can be identified by examining those elements. The study aims to identify her uniqueness in Sujatha's work. In Sujata's works, the language structure is better than the plot. His essence has been adopted by later literary men as well. I am learning a lot from Sujatha in the post-modernist Charu Nivedita uirmai magazine. Also says my teacher (p.43). S. Ramakrishnan says of Sujatha's \"chopped verses are a forerunner to those like me today\".","PeriodicalId":324456,"journal":{"name":"International Research Journal of Tamil Literary Studies","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130449217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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