{"title":"From National Bildung to Postcolonial Transnationalism","authors":"Greg Forter","doi":"10.1093/oso/9780198830436.003.0005","DOIUrl":"https://doi.org/10.1093/oso/9780198830436.003.0005","url":null,"abstract":"This chapter links colonialism, nationalism, and transnationalism/cosmopolitanism to the genre of the Bildungsroman. The chapter’s theoretical reference points are Joseph Slaughter’s Human Rights, Inc. and Pheng Cheah’s Spectral Nationality: two influential critical works that offer incommensurate analyses of the Bildungsroman in relation to postcolonial nationalism (and the transnational). I show how Patrick Chamoiseau’s Texaco and Kamila Shamsie’s Burnt Shadows offer more fruitful accounts of these matters than both theorists. The novels complicate Cheah’s emphasis on the emancipatory potential of national Bildung by revealing the transnational assemblages that precede and exceed the nation’s formation. But they also resist the account of transnationalism identified by Slaughter, in which apparently cosmopolitan commitments disguise the continued coercions of Bildung as a disciplinary technique for subject-formation. Finally, each novel attends to the corporeal dimension of cosmopolitan solidarities and, in Shamsie’s case, links that corporeality to linguistic translation and the concept of the untranslatable.","PeriodicalId":319220,"journal":{"name":"Critique and Utopia in Postcolonial Historical Fiction","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124039352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Politics of Hybridity-Mimicry in Hari Kunzru’s The Impressionist and Marlene van Niekerk’s Agaat","authors":"Greg Forter","doi":"10.1093/oso/9780198830436.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780198830436.003.0004","url":null,"abstract":"This chapter critiques the continued influence of Homi Bhabha’s theories of hybridity and mimicry in the colonial context, while putting Bhabha’s ideas into dialogue with those of Roberto Retamar. Hari Kunzru’s The Impressionist and Marlene van Niekerks’ Agaat offer nuanced revisions of both theorists’ positions. They elaborate versions of hybridity and mimicry that are intensely attuned to the interplay between historical forces and subjective experience; they grasp the limited yet real agency of colonized selves in fashioning responses to colonial power; and they situate colonialist textuality in a dynamic relation both to extra-discursive institutions of domination and to subjective interiority. These shared commitments result in fictional historiographies that emphasize the politically variable effects of hybridity-mimicry rather than the inevitable subversion described by Bhabha or the linguistic guerrilla warfare outlined by Retamar.","PeriodicalId":319220,"journal":{"name":"Critique and Utopia in Postcolonial Historical Fiction","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114782154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cartographies of the Untimely in Postcolonial Historical Realism","authors":"Greg Forter","doi":"10.1093/oso/9780198830436.003.0001","DOIUrl":"https://doi.org/10.1093/oso/9780198830436.003.0001","url":null,"abstract":"Barry Unsworth’s Sacred Hunger and Amitav Ghosh’s Sea of Poppies develop cognitive-affective maps of empire that reveal its totalizing ambitions. They deploy realist techniques to do so while displaying an intense self-consciousness about such techniques’ limitations. The maps they draw link the Atlantic world (and slavery) with the Indian Ocean (and indentured servitude). This angle of vision moves the historical novel’s frame of reference beyond both the nation and the mono-oceanic paradigms that have emerged as alternatives to nation-based understandings. Finally, and drawing especially on the work of Dipesh Chakrabarty, the chapter shows that the novels retrieve from historicist time the inassimilable, heterotemporal residues of utopian alternatives to the colonial, which draw upon while radically refashioning “premodern” and pre-secular modes of affinity.","PeriodicalId":319220,"journal":{"name":"Critique and Utopia in Postcolonial Historical Fiction","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128677027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tragedy, Romance, Satire","authors":"Greg Forter","doi":"10.1093/OSO/9780198830436.003.0003","DOIUrl":"https://doi.org/10.1093/OSO/9780198830436.003.0003","url":null,"abstract":"This chapter challenges David Scott’s contention that we should shift from Romance to tragedy in recounting the history of colonialism’s overcoming. This shift in genre means, for Scott, moving from a pre-Foucauldian understanding of power to a Foucauldian view in which the institutions of colonial modernity produce the colonized subject—and hence, cannot be meaningfully overthrown. J. G. Farrell’s The Siege of Krishnapur and Marlon James’s The Book of Night Women subvert Scott’s oppositions and reveal the limits of his prescriptions. Farrell’s text develops a satirical form that, in its depiction of the Indian Mutiny, exposes British power-knowledge as an ideological mystification for which there is indeed an “outside”—namely, the Indians’ insurrectionary agency. James’s text shows how power on the colonial plantation relied on the spectacle of the scaffold rather than the insidious tentacles of disciplinary power. The scaffold functioned to prohibit both full humanity and interracial “love,” Enlightenment promises that only the violence of slave rebellion could hope to fulfil.","PeriodicalId":319220,"journal":{"name":"Critique and Utopia in Postcolonial Historical Fiction","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128253170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}