{"title":"Conclusion","authors":"D. Declercq","doi":"10.1108/978-1-83909-666-220211006","DOIUrl":"https://doi.org/10.1108/978-1-83909-666-220211006","url":null,"abstract":"","PeriodicalId":298008,"journal":{"name":"Satire, Comedy and Mental Health: Coping with the Limits of Critique","volume":"219 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130439583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Index","authors":"","doi":"10.1108/978-1-83909-666-220211007","DOIUrl":"https://doi.org/10.1108/978-1-83909-666-220211007","url":null,"abstract":"","PeriodicalId":298008,"journal":{"name":"Satire, Comedy and Mental Health: Coping with the Limits of Critique","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124786972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"What Is Satire?","authors":"D. Declercq","doi":"10.1108/978-1-83909-666-220211001","DOIUrl":"https://doi.org/10.1108/978-1-83909-666-220211001","url":null,"abstract":"Satire is infamously varied. The origins of the label date back to Roman times, as a classification for disgruntled verses by poets like Horace and Juvenal. Yet, although the Roman orator Quintilian tried to claim satire as “wholly ours” (satura tota nostra est), satire is clearly not limited to ancient Rome. Just think of Margaret Atwood’s The Handmaid’s Tale, Jane Austen’s Pride and Prejudice, Jimi Hendrix’s “Star-Spangled Banner” (performed at Woodstock), Full Frontal with Samantha Bee, Pussy Riot, Guerrilla Girls, Paul Beatty’s The Sellout, Jordan Peel’s Get Out, Aravind Adiga’s The White Tiger, Daliso Chaponda’s stand-up comedy…","PeriodicalId":298008,"journal":{"name":"Satire, Comedy and Mental Health: Coping with the Limits of Critique","volume":"41 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133932553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}