{"title":"Gustav Holst’s Beni Mora and the Orientalist Imagination","authors":"Christopher M. Scheer","doi":"10.2307/j.ctvt1sjqq.14","DOIUrl":"https://doi.org/10.2307/j.ctvt1sjqq.14","url":null,"abstract":"","PeriodicalId":295779,"journal":{"name":"The Symphonic Poem in Britain, 1850–1950","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125576760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Narrative and Formal Plasticity in the British Symphonic Poem, 1850–1950","authors":"J. Dibble","doi":"10.2307/j.ctvt1sjqq.8","DOIUrl":"https://doi.org/10.2307/j.ctvt1sjqq.8","url":null,"abstract":"","PeriodicalId":295779,"journal":{"name":"The Symphonic Poem in Britain, 1850–1950","volume":"131 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132734192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"French Connections: Debussy and Ravel’s Orchestral Music in Britain from Prélude à l’après-midi d’un Faune to Boléro","authors":"Barbara L. Kelly","doi":"10.2307/j.ctvt1sjqq.11","DOIUrl":"https://doi.org/10.2307/j.ctvt1sjqq.11","url":null,"abstract":"","PeriodicalId":295779,"journal":{"name":"The Symphonic Poem in Britain, 1850–1950","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124418637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Symphonic Poem and British Music Criticism","authors":"Paul Watt","doi":"10.2307/j.ctvt1sjqq.9","DOIUrl":"https://doi.org/10.2307/j.ctvt1sjqq.9","url":null,"abstract":"","PeriodicalId":295779,"journal":{"name":"The Symphonic Poem in Britain, 1850–1950","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115059293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Richard Strauss’s Tone Poems in Britain, 1890–1950","authors":"David Larkin","doi":"10.2307/j.ctvt1sjqq.10","DOIUrl":"https://doi.org/10.2307/j.ctvt1sjqq.10","url":null,"abstract":"","PeriodicalId":295779,"journal":{"name":"The Symphonic Poem in Britain, 1850–1950","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133720795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}