{"title":"Creating «the Ultimate Retro-Future»: Music, Nostalgia and Futurity in «Tron» (1982) and «Tron: Legacy» (2010)","authors":"Elizabeth A. Clendinning","doi":"10.56513/grkf5971-3a","DOIUrl":"https://doi.org/10.56513/grkf5971-3a","url":null,"abstract":"Tron, a computer program champion who fights for the human Users against the megalomaniacal Master Control Program of the ENCOM computer mainframe.","PeriodicalId":269694,"journal":{"name":"NORIENT ACADEMIC ONLINE JOURNAL","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131435005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lusofonia, a (R)Evolução: Discourses of Atlantic Roots and Routes in «Luso World Music»","authors":"Barbara Alge","doi":"10.56513/grkf5971-3b","DOIUrl":"https://doi.org/10.56513/grkf5971-3b","url":null,"abstract":"The development of a «Luso world music», a transnational musical movement that brings together popular and traditional musics of the Portuguese-speaking world and departing mainly from the city of Lisbon.","PeriodicalId":269694,"journal":{"name":"NORIENT ACADEMIC ONLINE JOURNAL","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125310270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Bayern wird randaliert: Bayerischer Mundart-Rap in dei G'sicht!","authors":"Julian Warner","doi":"10.56513/grkf5971-3c","DOIUrl":"https://doi.org/10.56513/grkf5971-3c","url":null,"abstract":"Der Autor beleuchtet, inwieweit sich Akteure im bayerischen Mundart-Rap hegemonialen Diskursen um Sprache, Repräsentation und Rassismus widersetzen.","PeriodicalId":269694,"journal":{"name":"NORIENT ACADEMIC ONLINE JOURNAL","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125175231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back to the Future? Two Musical Pasts and Their Futures","authors":"Sverker Hyltén-Cavallius","doi":"10.56513/grkf5971-2a","DOIUrl":"https://doi.org/10.56513/grkf5971-2a","url":null,"abstract":"How we might understand and conceptualize nostalgia for past futures? This article focuses the cold war nostalgia and on welfare state utopias.","PeriodicalId":269694,"journal":{"name":"NORIENT ACADEMIC ONLINE JOURNAL","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132608351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Can’s «Mother Sky» in Skolimowsky's «Deep End» (1970)","authors":"B. Court","doi":"10.56513/grkf5971-2b","DOIUrl":"https://doi.org/10.56513/grkf5971-2b","url":null,"abstract":"Psychedelic Echoes of German New Left Negative Utopianism.","PeriodicalId":269694,"journal":{"name":"NORIENT ACADEMIC ONLINE JOURNAL","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116584287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stuff that Dreams Are Made Of: Music and the Future in Wong Kar-wai’s Chungking Express (1994)","authors":"Brooke McCorkle","doi":"10.56513/grkf5971-2c","DOIUrl":"https://doi.org/10.56513/grkf5971-2c","url":null,"abstract":"Music and the Future in Wong Kar-wai’s «Chungking Express» (1994)","PeriodicalId":269694,"journal":{"name":"NORIENT ACADEMIC ONLINE JOURNAL","volume":"11 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129176433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Funkification to Pacification","authors":"G. Scruggs, A. Lippman","doi":"10.56513/grkf5971-1b","DOIUrl":"https://doi.org/10.56513/grkf5971-1b","url":null,"abstract":"Re-Sounding Space For a New Rio de Janeiro. // As an anthropologist and urban planning researcher with specialties in music and sound, we have combined our backgrounds to examine the politics of reconstructing soundscapes in Rio de Janeiro.","PeriodicalId":269694,"journal":{"name":"NORIENT ACADEMIC ONLINE JOURNAL","volume":"802 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131705140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«Never Go Back»","authors":"F. Carl","doi":"10.2307/j.ctt1dfns9g.4","DOIUrl":"https://doi.org/10.2307/j.ctt1dfns9g.4","url":null,"abstract":"Ghanaian Gospel Music, Born-Again Christianity, and the Nonconformity of the Ethnographer. // This discussion of the gospel phenomenon in Ghana will be framed by a critical reflection on ethnomusicological methodology.","PeriodicalId":269694,"journal":{"name":"NORIENT ACADEMIC ONLINE JOURNAL","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133641252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}