{"title":"1. This Music Demanded Action: Ellison, Armstrong, and the Imperatives of Jazz","authors":"","doi":"10.7312/omea18918-003","DOIUrl":"https://doi.org/10.7312/omea18918-003","url":null,"abstract":"","PeriodicalId":269144,"journal":{"name":"Antagonistic Cooperation","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122813776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"4. Hare and Bear: The Racial Politics of Satchmo’s Smile","authors":"","doi":"10.7312/omea18918-006","DOIUrl":"https://doi.org/10.7312/omea18918-006","url":null,"abstract":"","PeriodicalId":269144,"journal":{"name":"Antagonistic Cooperation","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125940223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"5. The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished","authors":"","doi":"10.7312/omea18918-007","DOIUrl":"https://doi.org/10.7312/omea18918-007","url":null,"abstract":"","PeriodicalId":269144,"journal":{"name":"Antagonistic Cooperation","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127140467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"2. We Are All a Collage: Armstrong’s Operatic Blues, Bearden’s Black Odyssey, and Morrison’s Jazz","authors":"","doi":"10.7312/omea18918-004","DOIUrl":"https://doi.org/10.7312/omea18918-004","url":null,"abstract":"","PeriodicalId":269144,"journal":{"name":"Antagonistic Cooperation","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132749704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"3. The “Open Corner” of Black Community and Creativity: From Romare Bearden to Duke Ellington and Toni Morrison","authors":"","doi":"10.7312/omea18918-005","DOIUrl":"https://doi.org/10.7312/omea18918-005","url":null,"abstract":"","PeriodicalId":269144,"journal":{"name":"Antagonistic Cooperation","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126350901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}