The Late-Victorian Little Magazine最新文献

The Germs of a Genre: The Germ and the Oxford and Cambridge Magazine 一种体裁的萌芽:萌芽与牛津剑桥杂志

The Late-Victorian Little Magazine Pub Date : 2018-10-01 DOI: 10.3366/EDINBURGH/9781474426213.003.0002

K. Claes

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Inconclusions Inconclusions

The Late-Victorian Little Magazine Pub Date : 2018-10-01 DOI: 10.3366/edinburgh/9781474426213.003.0008

K. Claes

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Politicised Aestheticism outside London: the Quest and the Evergreen 伦敦以外的政治化唯美主义:追求与常青

The Late-Victorian Little Magazine Pub Date : 2018-10-01 DOI: 10.3366/EDINBURGH/9781474426213.003.0006

K. Claes

{"title":"Politicised Aestheticism outside London: the Quest and the Evergreen","authors":"K. Claes","doi":"10.3366/EDINBURGH/9781474426213.003.0006","DOIUrl":"https://doi.org/10.3366/EDINBURGH/9781474426213.003.0006","url":null,"abstract":"Most late-Victorian little magazines were published from London, but elsewhere in Britain relevant journals were also produced, often functioning as the periodical organs of localised organisations that wanted to engage with the local communities in which they operated. The Arts & Crafts journal the Quest (1894–96), issued by the Birmingham Guild of Handicraft, ‘resisted any structural differentiation between the worlds of production and consumption, preferring the unified ideal of a community of producers meeting common needs through mutual cooperation’. Outside of England, writers of the budding Celtic Revival wrote for several little magazines, but few notable little magazines were set up before the early twentieth century. One notable exception was the Edinburgh-based Evergreen (1895–96), perhaps the late Victorian era’s best example of a conceptually integrated periodical, this time not only inspired by a local variant of the collaborative spirit characterising the Arts and Crafts journals, but also meant to exemplify an advocated ‘organic’ unity for the city where its producers lived and worked, and from there for Scotland and ‘North Britain’ at large.","PeriodicalId":267285,"journal":{"name":"The Late-Victorian Little Magazine","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124421475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Selling the Yellow Nineties: the Yellow Book and the Savoy 销售黄色九十年代:黄皮书和萨沃伊

The Late-Victorian Little Magazine Pub Date : 2018-10-01 DOI: 10.3366/EDINBURGH/9781474426213.003.0005

K. Claes

{"title":"Selling the Yellow Nineties: the Yellow Book and the Savoy","authors":"K. Claes","doi":"10.3366/EDINBURGH/9781474426213.003.0005","DOIUrl":"https://doi.org/10.3366/EDINBURGH/9781474426213.003.0005","url":null,"abstract":"This chapter discusses at length two of the best-publicised periodicals the 1890s, whose relationship reveals much about the reception in wider late-Victorian print culture of the conceptual integration of form and content that increasingly became associated with the little magazine genre. The slyly marketed Yellow Book (1894–97) is arguably the most notorious yet also the most ingeniously commercialist little magazine of all time, and it styled itself a ‘book’ for good reason. By emulating the appearance of a book, its editors and publisher John Lane at the Bodley Head hoped to safeguard their publication against the ephemerality and relative lack of prestige of periodical texts. The magazine drew a number of large advertisers and sold remarkably well until it was implicated in the Wilde trial in 1895. Its characteristic appearance had at that point become so recognisable that the magazine, as well as its rivals at the Savoy (1896) founded by the Yellow Book’s ousted alleged ‘Decadent’ ringleaders Arthur Symons and Aubrey Beardsley, felt that they needed to rethink their design aesthetic. Some material characteristics associated with the little magazine had become iconic and associated with transgressive content.","PeriodicalId":267285,"journal":{"name":"The Late-Victorian Little Magazine","volume":"34 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133391129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Mounting the (Century Guild) Hobby Horse 骑上(世纪公会)爱好马

The Late-Victorian Little Magazine Pub Date : 2018-10-01 DOI: 10.3366/edinburgh/9781474426213.003.0003

K. Claes

{"title":"Mounting the (Century Guild) Hobby Horse","authors":"K. Claes","doi":"10.3366/edinburgh/9781474426213.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474426213.003.0003","url":null,"abstract":"This chapter is entirely dedicated to a pioneering little magazine that elaborated on the example of The Germ and the Oxford and Cambridge Magazine (see Chapter 1), the Century Guild\u0000 Hobby Horse (1884/86–92), which started as the periodical organ of the early Arts & Crafts organisation the Century Guild. To this magazine, the production and design of the material text was as much an opportunity for experiments as its actual contents, a notable aesthetic innovation that was motivated by a notion of artistic artisanship, and that made it a milestone in Victorian print culture. Each issue of the magazine—in which Victorian sages such as Matthew Arnold and John Ruskin made guest appearances— commands for the applied art workers producing it the respect usually reserved for authors and artists working within the category of ‘Fine Art’. So doing, the magazine helped to create a wider appreciation for Fine Printing. After the discontinuation of the Century Guild in 1893, this periodical was temporarily revived by the enterprising publishers at the Bodley Head to boost that firm’s Print-Revivalist credentials. The Hobby Horse is thereby also an early example of how supposedly avant-garde principles are sometimes difficult to distinguish from commercial strategies.","PeriodicalId":267285,"journal":{"name":"The Late-Victorian Little Magazine","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130622613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Little Excursions Outside the Avant-Garde: the Pageant, the Parade and the Dome 先锋派之外的短途旅行:游行，游行和圆顶

The Late-Victorian Little Magazine Pub Date : 2018-10-01 DOI: 10.3366/edinburgh/9781474426213.003.0007

K. Claes

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The Little Magazine as a Periodical Portfolio: the Dial, the Pagan Review and the Page 作为期刊组合的小杂志:表盘，异教徒评论和页面

The Late-Victorian Little Magazine Pub Date : 2018-10-01 DOI: 10.3366/EDINBURGH/9781474426213.003.0004

K. Claes

{"title":"The Little Magazine as a Periodical Portfolio: the Dial, the Pagan Review and the Page","authors":"K. Claes","doi":"10.3366/EDINBURGH/9781474426213.003.0004","DOIUrl":"https://doi.org/10.3366/EDINBURGH/9781474426213.003.0004","url":null,"abstract":"This chapter proves that even some the smallest little magazines can be read as portfolios for the artists and authors who produced them. The critical success of the Hobby Horse (see Chapter 2) encouraged the foundation of the coterie publication the Dial (1889–97) by Charles Ricketts and Charles Shannon, struggling artists who used this periodical to obtain publicity for themselves and a select set of participating friends (incl. ‘Michael Field’, John Gray, Thomas Sturge Moore, Lucien Pissarro). Intriguingly theorized along the lines of the Mallarméan Livre, the Dial also functioned as a means of promoting the artistic crafts of engraving and typography. The single issue of the Pagan Review (1892) was written entirely by William Sharp under various pseudonyms, corresponding to different personae that presented different facets of the magazine’s titular ‘paganism’ and allowed the author to test out different styles and themes for possible future writing projects. The whimsical Page (1898–1901) of Edward Gordon Craig, who would become a leading designer for the modernist stage, was another (nearly) single-authored publication. Craig primarily used it to advertise his services as a designer of bookplates, dinner menus and other forms of artistic printing.","PeriodicalId":267285,"journal":{"name":"The Late-Victorian Little Magazine","volume":"2 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113942890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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