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Performing Gods in Classical Antiquity and the Age of Shakespeare最新文献

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Under the Actor’s Spell: Audiences in Euripides’ Helen and Marlowe’s Doctor Faustus 演员的魔咒下:欧里庇得斯《海伦与马洛》《浮士德博士》中的观众
Performing Gods in Classical Antiquity and the Age of Shakespeare Pub Date : 1900-01-01 DOI: 10.5040/9781350098176.ch-002
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引用次数: 0
Introduction: The Gods Take Stage 导言:众神登台
Performing Gods in Classical Antiquity and the Age of Shakespeare Pub Date : 1900-01-01 DOI: 10.5040/9781350098176.0006
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引用次数: 0
Approaching Divinity 接近神
Performing Gods in Classical Antiquity and the Age of Shakespeare Pub Date : 1900-01-01 DOI: 10.5040/9781350098176.ch-001
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引用次数: 0
To Die Is Human, To Act Is Divine 死是人，行动是神
Performing Gods in Classical Antiquity and the Age of Shakespeare Pub Date : 1900-01-01 DOI: 10.5040/9781350098176.ch-005
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引用次数: 0
An Actor Ascends: Status and Identity in Plautus’ Amphitruo and the Court Masque 演员的上升:普劳图斯的《竞技场》和《宫廷假面舞会》中的地位和身份
Performing Gods in Classical Antiquity and the Age of Shakespeare Pub Date : 1900-01-01 DOI: 10.5040/9781350098176.ch-003
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引用次数: 0
Afterword: Entertaining Gods in Zimmerman’s Metamorphoses 后记:齐默尔曼《变形记》中的娱乐神灵
Performing Gods in Classical Antiquity and the Age of Shakespeare Pub Date : 1900-01-01 DOI: 10.5040/9781350098176.0007
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引用次数: 0
Authoring Gods in Aeschylus’ Oresteia and Shakespeare’s Hamlet 埃斯库罗斯的《俄瑞斯忒亚》和莎士比亚的《哈姆雷特》中的创作神
Performing Gods in Classical Antiquity and the Age of Shakespeare Pub Date : 1900-01-01 DOI: 10.5040/9781350098176.ch-004
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引用次数: 0
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