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Conclusion: Toward a Global Surveillance Cinema 结论:走向全球监控电影
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-007
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引用次数: 0
Frontmatter
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-fm
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引用次数: 0
FOUR. “Representing the Chinese Government”: Hong Kong Undercover in an Age of Self-Censorship 四。“代表中国政府”:自我审查时代的香港卧底
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-006
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引用次数: 0
Appendix: Chinese Glossary 附录:中文词汇
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-008
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引用次数: 0
ONE. Watching the Watchman: Michael Hui’s Surveillance Comedies 一个。看守望者:许鞍华的监视喜剧
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-003
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引用次数: 0
THREE. “Only” a Policeman: Joint Venture Cinema and the Mediatization of the Hong Kong Police 三。“唯警察”:合资电影与香港警察的媒体化
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-005
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引用次数: 0
Index 指数
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-011
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引用次数: 0
TWO. On the “China Watch”: Prosperity and Paranoia in Reunification-Era Cinema 两个。论“中国观”:统一时代电影的繁荣与偏执
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-004
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引用次数: 0
Introduction: A Race of Peeping Toms? “Rear Window Ethics” in Hong Kong 简介:一群偷窥狂?“后窗道德”在香港
Arresting Cinema Pub Date : 2020-12-31 DOI: 10.1515/9781503600751-002
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引用次数: 0
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