{"title":"Expanding the Past: Julie Dash and Zora Neale Hurston, African American Women Filmmakers of New Hollywood and Early Cinema","authors":"Aimee Dixon Anthony","doi":"10.5040/9781501360374.ch-008","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-008","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117190846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“The Ultimate Fusion of Commerce and Art”: Waldo Salt and Screenwriting in the 1970s","authors":"Oliver Gruner","doi":"10.5040/9781501360374.ch-007","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-007","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130605470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Indie Courtship: Pursuing the American New Wave","authors":"Kim Wilkins","doi":"10.5040/9781501360374.ch-011","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-011","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133856902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lost in the Landscape: The Legacy of Barbara Loden’s Wanda (1970) on the Contemporary American Independent Female Road Movie","authors":"Aimee Mollaghan","doi":"10.5040/9781501360374.ch-009","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-009","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114639097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Great Shift in Hollywood Cinema: Men, Women, and Genre Revisionism of the American New Wave","authors":"Fjoralba Miraka","doi":"10.5040/9781501360374.ch-002","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-002","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116443975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Formal Radicalism versus Radical Representation: Reassessing The French Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)","authors":"C. Edwards","doi":"10.5040/9781501360374.ch-003","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-003","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"185 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116377785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Design as Authorship: Polly Platt’s New Hollywood Aesthetic","authors":"A. Hunter","doi":"10.5040/9781501360374.ch-006","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-006","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134027674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Afterword: New Wave, New Hollywood, New Research","authors":"Peter Krämer","doi":"10.5040/9781501360374.ch-012","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-012","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122398050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The New Wave in the New Millennium: Joker, Taxi Driver, Nostalgia, and Trumpian Politics","authors":"Karen A. Ritzenhoff, Hannah D’Orso","doi":"10.5040/9781501360374.ch-010","DOIUrl":"https://doi.org/10.5040/9781501360374.ch-010","url":null,"abstract":"","PeriodicalId":247475,"journal":{"name":"New Wave, New Hollywood","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126353778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}