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God. 52(2021), br. 2最新文献

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Roland Barthes kao slušatelj
God. 52(2021), br. 2 Pub Date : 2018-10-31 DOI: 10.21857/yvjrdclnoy
Jelena Sviben
{"title":"Roland Barthes kao slušatelj","authors":"Jelena Sviben","doi":"10.21857/yvjrdclnoy","DOIUrl":"https://doi.org/10.21857/yvjrdclnoy","url":null,"abstract":"Two different ‘tones’ of speaking about listening are discernible in Roland Barthes’ writings on music. The first one describes listening as something passive and receptive, and places it in the bourgeois culture, which for Barthes, is a negative context. The second is the tone Barthes uses to describe his own listening. Regarding the fact that when speaking about his own listening, Barthes will often mention the body, as well as his piano practice, he can easily be thought of as an amateur player rather than a listener. This paper examines the possibilities for thinking about Barthes as someone who listens and not only someone who plays.","PeriodicalId":239257,"journal":{"name":"God. 52(2021), br. 2","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114216825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Treasures Uncovered in the Library of the Archdiocese and the Cathedral Chapter of Zagreb. Reconstructing the Sanctorale of Esztergom Cathedral’s 13th-century Notated Breviary 在萨格勒布大主教管区和大教堂图书馆发现的宝藏。重建埃斯泰尔戈姆大教堂的圣所的13世纪的标注祈祷书
God. 52(2021), br. 2 Pub Date : 1900-01-01 DOI: 10.21857/90836c7ddy
Gábriel Szoliva
{"title":"Treasures Uncovered in the Library of the Archdiocese and the Cathedral Chapter of Zagreb. Reconstructing the Sanctorale of Esztergom Cathedral’s 13th-century Notated Breviary","authors":"Gábriel Szoliva","doi":"10.21857/90836c7ddy","DOIUrl":"https://doi.org/10.21857/90836c7ddy","url":null,"abstract":"A 13th-century notated breviary of Esz- tergom (Strigonium, Ostrogon) has recently been discovered in the Metropolitan Library of the Archbishopric of Zagreb. The codex was found in 258 fragments which had been glued to the covers of 129 books printed between the 15th and 17th centuries. The fragmented manu- script is the missing second volume (i.e","PeriodicalId":239257,"journal":{"name":"God. 52(2021), br. 2","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133460083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Doprinos Andrije Szegedyja na području crkvene i svjetovne glazbe
God. 52(2021), br. 2 Pub Date : 1900-01-01 DOI: 10.21857/m16wjcep49
Katarina Koprek
{"title":"Doprinos Andrije Szegedyja na području crkvene i svjetovne glazbe","authors":"Katarina Koprek","doi":"10.21857/m16wjcep49","DOIUrl":"https://doi.org/10.21857/m16wjcep49","url":null,"abstract":"","PeriodicalId":239257,"journal":{"name":"God. 52(2021), br. 2","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125235536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Theriomorphic and Dionysian in Silvio Benco’s Libretto La Falena for Antonio Smareglia 西尔维奥·本科为安东尼奥·斯马雷格利亚创作的《法莱纳唱词》中的酒神与酒神
God. 52(2021), br. 2 Pub Date : 1900-01-01 DOI: 10.21857/m8vqrtq0w9
Tatjana Peruško, Katja Radoš-Perković
{"title":"The Theriomorphic and Dionysian in Silvio Benco’s Libretto La Falena for Antonio Smareglia","authors":"Tatjana Peruško, Katja Radoš-Perković","doi":"10.21857/m8vqrtq0w9","DOIUrl":"https://doi.org/10.21857/m8vqrtq0w9","url":null,"abstract":"The Benco – Smareglia cooperation has been thoroughly investigated from the point of view and with the scientifi c tools of musicology, so the idea behind this paper was to examine the librett o of La Falena, the fi rst of the three librett i, writt en in 1897, and look for the numerous intertextual connections deriving from the demonic, inhuman, or rather superhuman features of the female protagonist. While the dualism typical of the Scapigliatura is translated into antithetic constructions in the antinomian creation of characters, in the plot structure and in the semantic coupling of love and folly, the reuse of gothic and legendderived elements is functional to the eroticmonstrous connotations of Benco’s femme fatale. The perturbing dimension of female eros presented by Benco is also ascribable to Nietz sche’s theory of the Dionysian disorder.","PeriodicalId":239257,"journal":{"name":"God. 52(2021), br. 2","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128913216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Srednjovjekovni koralni kodeksi badijske zbirke Samostana Male braće u Dubrovniku kao svjedoci ukinutog dominikanskog samostana u Zadru
God. 52(2021), br. 2 Pub Date : 1900-01-01 DOI: 10.21857/ydkx2cw3z9
Hrvoje Beban
{"title":"Srednjovjekovni koralni kodeksi badijske zbirke Samostana Male braće u Dubrovniku kao svjedoci ukinutog dominikanskog samostana u Zadru","authors":"Hrvoje Beban","doi":"10.21857/ydkx2cw3z9","DOIUrl":"https://doi.org/10.21857/ydkx2cw3z9","url":null,"abstract":"","PeriodicalId":239257,"journal":{"name":"God. 52(2021), br. 2","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121092710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tragom istarske glazbene riznice: pregled povijesti glazbe u Istri kroz stoljeća
God. 52(2021), br. 2 Pub Date : 1900-01-01 DOI: 10.21857/yrvgqtep19
Ivana Paula Gortan-Carlin, Nikola Lovrinić
{"title":"Tragom istarske glazbene riznice: pregled povijesti glazbe u Istri kroz stoljeća","authors":"Ivana Paula Gortan-Carlin, Nikola Lovrinić","doi":"10.21857/yrvgqtep19","DOIUrl":"https://doi.org/10.21857/yrvgqtep19","url":null,"abstract":"","PeriodicalId":239257,"journal":{"name":"God. 52(2021), br. 2","volume":"138 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116902219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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