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Music and Machines最新文献

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Le rêve et la science : Henry Deutsch de la Meurthe, Icare et la musique aéronautique en France avant la Première Guerre mondiale 梦想与科学:亨利·多伊奇·德拉默尔特，伊卡洛斯和第一次世界大战前法国的航空音乐
Music and Machines Pub Date : 2022-08-30 DOI: 10.7202/1091838ar
Federico Lazzaro, M. Leduc
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引用次数: 0
Machines et imaginaires musicaux (1900–1950) 机器与音乐想象(1900 - 1950)
Music and Machines Pub Date : 2022-08-30 DOI: 10.7202/1091834ar
Federico Lazzaro, Christopher Moore
{"title":"Machines et imaginaires musicaux (1900–1950)","authors":"Federico Lazzaro, Christopher Moore","doi":"10.7202/1091834ar","DOIUrl":"https://doi.org/10.7202/1091834ar","url":null,"abstract":"Le dossier Machines et imaginaires musicaux (1900–1950) / Machines and the Musical Imagination (1900–1950) conçoit une réflexion autour de trois axes sur les rapports entre la musique et les machines au début du XXe siècle : 1) la spécificité de cette époque dans l’histoire de la représentation des machines en musique; 2) les topoï de cette transposition; 3) la complexité des interactions entre machines, musique et société.","PeriodicalId":193425,"journal":{"name":"Music and Machines","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127928183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un « divertissement cinématographique » : machine/nature dans la musique de Tibor Harsányi pour le dessin animé La Joie de vivre (1934) “电影娱乐”:Tibor harsanyi为动画片《生活的乐趣》(1934)创作的音乐中的机器/自然
Music and Machines Pub Date : 2022-08-30 DOI: 10.7202/1091835ar
Stefano Alba
{"title":"Un « divertissement cinématographique » : machine/nature dans la musique de Tibor Harsányi pour le dessin animé La Joie de vivre (1934)","authors":"Stefano Alba","doi":"10.7202/1091835ar","DOIUrl":"https://doi.org/10.7202/1091835ar","url":null,"abstract":"La Joie de vivre d’Anthony Gross et Hector Hoppin est un cas précoce d’animation d’avant-garde qui transpose une esthétique moderniste dans la formule du dessin animé musical des années 1930. Ses décors alternent le machinisme inspiré de la banlieue ouvrière parisienne (usines, une centrale électrique, le chemin de fer) avec un paysage bucolique. Sans être ouvertement critique de l’industrialisation, cette dichotomie pourrait être perçue comme évasion pastorale. La musique originale composée par Tibor Harsányi joue un rôle central dans l’esthétique du film, et son analyse permet de réinterpréter la dualité machine/nature dans une perspective « post-pastorale ».","PeriodicalId":193425,"journal":{"name":"Music and Machines","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131163019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Machines, Films, and Operas: A (Mostly) Soviet Perspective 机器、电影和歌剧:苏联人的视角
Music and Machines Pub Date : 2022-08-30 DOI: 10.7202/1091837ar
Paulo F. de Castro
{"title":"Machines, Films, and Operas: A (Mostly) Soviet Perspective","authors":"Paulo F. de Castro","doi":"10.7202/1091837ar","DOIUrl":"https://doi.org/10.7202/1091837ar","url":null,"abstract":"In this article I explore some of the ways in which opera was affected by the dynamics of rupture and experimentation in the Soviet Union in the 1920s and early 1930s. In particular, I examine the criticism of opera as a genre among composers and theatrical practitioners, such as Nikolay Foregger, who advocated a fusion of opera and ballet inspired by the rhythms, movements, and sounds of modernity, and Adrian Piotrovsky, who argued for the transfer of cinematic devices to other art forms, including opera. The article further explores some intersections with the Futurist and Constructivist cult of the machine as reflected in the operatic experiments of Vladimir Deshevov and Aleksandr Mosolov, which were almost immediately suppressed by the rise of a more populist aesthetics and remain largely unknown.","PeriodicalId":193425,"journal":{"name":"Music and Machines","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122838991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Hear the Machine, Fear the Machine: George Antheil’s Ballet Mécanique and Listener Ambivalence in the Twentieth Century 聆听机器，畏惧机器:乔治·安塞尔的芭蕾舞剧与二十世纪听众的矛盾心理
Music and Machines Pub Date : 2022-08-30 DOI: 10.7202/1091836ar
C. Sumner
{"title":"Hear the Machine, Fear the Machine: George Antheil’s Ballet Mécanique and Listener Ambivalence in the Twentieth Century","authors":"C. Sumner","doi":"10.7202/1091836ar","DOIUrl":"https://doi.org/10.7202/1091836ar","url":null,"abstract":"George Antheil’s Ballet Mécanique is notorious for its cacophonous sonorities, its industrial allusions, and its use of mechanical instruments, notably the player piano. Despite a successful première in Paris in 1926, the 1927 American reception of the piece was viscerally critical. Drawing upon contemporary documents, this article reconsiders the American reception of the ballet in light of the relationship between early twentieth-century American audiences and the mechanical. It suggests that through its use of mechanized instruments, specifically the player piano, Ballet Mécanique exacerbated anxiety and skepticism about the mechanical and mirrored a growing fear about the destructive consequences of a mechanized society.","PeriodicalId":193425,"journal":{"name":"Music and Machines","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131774458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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