{"title":"Cyber-Culture, Cyber-Art, and Mnemonic Energy","authors":"Simber Atay","doi":"10.4018/978-1-5225-8024-9.CH001","DOIUrl":"https://doi.org/10.4018/978-1-5225-8024-9.CH001","url":null,"abstract":"The word cybernetics has a very rich etymology. On the other hand, Norbert Wiener's Cybernetics and Society (1950) has very fluid style with its literary intertextual texture. Cyber prefix defines many aspects of life. Today, cyber-culture has gained new meanings due to virtual art activities during COVID-19 pandemic and lockdown. Cybernetics has shown its impact on artistic creativity with two exhibitions, Cybernetic Serendipity (1968, London) and Software (1970, New York), which featured early examples of digital-art, cyber-art, and new media performances. Cyber-art is a very broad category. There are countless cyber-artists. In the institutional context, Can't Help Myself of Sun Yuan and Peng Yu (2016), Memory of Topography of teamLab (2018), and The City As A House of Rebecca Merlic (2020) are three valuable works. This subject was developed under the light of the ideas of Benjamin, Wiener, Deleuze, and Guattari, and the specified examples were analyzed with the descriptive method.","PeriodicalId":173920,"journal":{"name":"Present and Future Paradigms of Cyberculture in the 21st Century","volume":"141 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129800256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Relationship of Human Intelligence With Technique/Technology","authors":"Ali Gurbuz, Ozge Nilay Erbalaban Gürbüz","doi":"10.4018/978-1-5225-8024-9.ch010","DOIUrl":"https://doi.org/10.4018/978-1-5225-8024-9.ch010","url":null,"abstract":"The history of creating technical/technological tools continues, from the days when man designed the first tools to the days when artificial intelligence was designed. In this adventure, which ranges from the production of the first tools to the development of the method of burning fire, from communication tools to the idea of society as a technical abstraction, from war tools to clocks, machines, automatons, and artificial intelligence, will be analyzed the functions of intelligence philosophically and historically. Today's cybernetic societies, where artificial intelligence is developed, are a natural consequence of the technical/technological evolution of human intelligence. In this transition period, where the creation of artificial intelligence and the anthropological future of the human species are discussed together, the perspectives of philosophical culture that are stuck between artificial and natural dilemmas will be explored. Through analysis of Steven Spielberg's Artificial Intelligence film, the meaning of cyber future perception in culture will be revealed.","PeriodicalId":173920,"journal":{"name":"Present and Future Paradigms of Cyberculture in the 21st Century","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132988045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}