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3. “Voices within the Voice”: Aural Passing and Libby Holman’s Deracinated/Reracinated Sound 3.“声音中的声音”:听觉传递和利比·霍尔曼的被阉割/重新接种的声音
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-005
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引用次数: 1
4. “Much Too Busy to Die”: Josephine Baker’s Diva Iconicity 4. “忙得要死”:约瑟芬·贝克的女主角形象
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-006
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引用次数: 0
1. The Color Line Is Always Moving: Aida Overton Walker 1. 《肤色线总是在移动》:阿依达·奥弗顿·沃克
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-003
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引用次数: 0
Index 指数
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-010
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引用次数: 0
Introduction: Divas, Iconicity, Remembering 引言:女主角，象似性，记忆
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-002
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引用次数: 0
Conclusion: Diva Remains 结论:Diva依然存在
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-007
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引用次数: 0
Frontmatter
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-fm
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引用次数: 0
Acknowledgments 致谢
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-001
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引用次数: 0
2. Transnational Technologies of Orientalism: Loïe Fuller’s Invented Repertoires 2. 东方主义的跨国技术:Loïe富勒的发明曲目
Moving Performances Pub Date : 2019-12-31 DOI: 10.36019/9780813585475-004
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引用次数: 0
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