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Cultural Convergence最新文献

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‘We Belong to the World’: Christine Longford’s War Plays During Irish Neutrality “我们属于世界”:克里斯汀·朗福德在爱尔兰中立时期的战争剧
Cultural Convergence Pub Date : 2020-11-04 DOI: 10.1007/978-3-030-57562-5_9
E. Grogan
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引用次数: 1
Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert 命运:好莱坞、东方主义与帕德瑞克·柯伦《沙漠的魔古》的设计语言
Cultural Convergence Pub Date : 2020-11-04 DOI: 10.1007/978-3-030-57562-5_7
E. Sisson
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引用次数: 0
Introduction: Cultural Convergence at Dublin’s Gate Theatre 导言:都柏林门剧院的文化融合
Cultural Convergence Pub Date : 2020-11-04 DOI: 10.1007/978-3-030-57562-5_1
O. Pilny, R. V. D. Beuken, I. R. Walsh
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引用次数: 0
Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-Speaking Founder Gearóid Ó Lochlainn:门剧院的另一位爱尔兰语创始人
Cultural Convergence Pub Date : 2020-11-04 DOI: 10.1007/978-3-030-57562-5_3
Pádraig Ó Siadhail
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引用次数: 0
The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir 希尔顿·爱德华兹和Micheál mac Liammóir的国际主义戏剧
Cultural Convergence Pub Date : 2020-11-04 DOI: 10.1007/978-3-030-57562-5_2
Joanna Dean, Radvan Markus
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引用次数: 0
Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate 普鲁士的纪律和女同性恋的脆弱:克里斯塔·温斯洛的孩子们在门口穿着制服
Cultural Convergence Pub Date : 2020-11-04 DOI: 10.1007/978-3-030-57562-5_8
Yvonne Ivory
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引用次数: 0
The Brothers Čapek at the Gate: R.U.R. and The Insect Play The Brothers Čapek at The Gate: R.U.R.和The Insect Play
Cultural Convergence Pub Date : 2020-11-04 DOI: 10.1007/978-3-030-57562-5_6
O. Pilny
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引用次数: 1
The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin 都柏林门剧院早期关键人物的跨国根源
Cultural Convergence Pub Date : 2020-11-04 DOI: 10.1007/978-3-030-57562-5_4
D. Clare, Nicola K. Morris
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引用次数: 0
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