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Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée's film Wild 体现共振:让-马克·瓦尔扎伊的电影《荒野》中的声音路径
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0125
A. Walker
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引用次数: 2
Front matter 前页
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/sound.2018.0121
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引用次数: 0
Some Notes on the Use of Voice-Over 关于画外音使用的一些注意事项
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/sound.2018.0128
R. Crittenden
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引用次数: 0
Music as an Element of Narration in Poetic Documentaries 音乐作为诗意纪录片的叙事元素
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0124
K. Stutterheim
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引用次数: 0
Presentation at the 2015 School of Sound 2015年声音学院演讲
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0130
P. Sellars
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引用次数: 0
Back matter 回到问题
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/sound.2018.0131
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引用次数: 0
Symphonies of Noise: The Urban Soundscape in Rouben Mamoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight 噪音交响曲:鲁本·马穆里安的《掌声》、《城市之光》、《化身博士》和《今夜爱我》中的城市声景
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/sound.2018.0123
D. Power
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引用次数: 1
From Screenwriting for Sound to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho 从声音编剧到电影声音地图:Live Tone与奉俊昊创意联盟的演变
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0127
Nikki J. Y. Lee, Julian Stringer
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引用次数: 1
Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk 近期电影中的谢泼德音调和意义的产生:露西娅·马特尔的《扎玛》和克里斯托弗·诺兰的《敦刻尔克》
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0126
Eleonora Rapan
{"title":"Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk","authors":"Eleonora Rapan","doi":"10.3366/SOUND.2018.0126","DOIUrl":"https://doi.org/10.3366/SOUND.2018.0126","url":null,"abstract":"In December 1964, Roger Shepard published his article, ‘Circularity in Judgments of Relative Pitch’ in the Journal of the Acoustical Society of America. This idea lead to the development of the so-...","PeriodicalId":147114,"journal":{"name":"The New Soundtrack","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116329845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Approaches to Sound Design: Murch and Burtt 声音设计的方法:Murch和Burtt
The New Soundtrack Pub Date : 2018-09-01 DOI: 10.3366/SOUND.2018.0129
G. Costantini
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引用次数: 2
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