Approaching Historical Sources in their Contexts最新文献

Scrapbooks 剪贴簿

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-13

E. Moss

引用次数: 1

Landscape 景观

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-3

Mark C. J. Stoddart, Christina Knott

引用次数: 0

Building 建筑

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-2

Sarah Barber

{"title":"Building","authors":"Sarah Barber","doi":"10.4324/9781351106573-2","DOIUrl":"https://doi.org/10.4324/9781351106573-2","url":null,"abstract":"On the pinnacle of a dramatic escarpment in the mountains of Andalusia in southern Spain sits a building which has, over its 800 years standing, taken full advantage of that situation and aspect. It is a building from which one can look out for 360 degrees to north Africa, the border with Portugal and other mountain-top communities, and it is a landmark that can be seen at distance by others - friends and enemies. It was a mosque, converted into a church, back into a mosque and fortress again, and in 1505 became the Church of the Incarnation in the village of Casares. Casares was the birthplace of the twentieth-century political activist for Andalucian self-determination, Blas Infante Perez, and the church, de-sanctified after it became derelict following the Spanish Civil War, was converted into a cultural centre, named after the ‘father of Andalusian nationalism’. This chapter traces the changing uses of the building and its changing role in defining and describing place. Now that this area of Spain relies so heavily on tourism, does the building as an edifice which encapsulates the region’s history retain its cultural capital?. © 2020 selection and editorial matter, Sarah Barber and Corinna M. Peniston-Bird; individual chapters, the contributors.","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"319 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129676264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Radio 广播

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-7

Tony Stoller

引用次数: 0

Photo albums 相册

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-12

Cord Pagenstecher

引用次数: 1

War memorials 战争纪念碑

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-5

C. Peniston-Bird

引用次数: 0

Cemeteries 墓地

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-4

Felix Schulz

引用次数: 0

Digital surrogates 电子代理人

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-9

Adam N. Rabinowitz

{"title":"Digital surrogates","authors":"Adam N. Rabinowitz","doi":"10.4324/9781351106573-9","DOIUrl":"https://doi.org/10.4324/9781351106573-9","url":null,"abstract":"Historically and presently, restorers and conservators engaging in loss compensation have used fine hand skills to recreate convincing design elements in addition to paper color and texture. These techniques have been documented and taught. In contrast, the focus of this paper is the use of digital surrogates as an alternative for loss compensation of graphic works using digital images and high quality printers. By employing this method, the lost design is reconstituted without compromising the artist’s original intent. The process of producing a digital surrogate will be explained using a case study of a recent treatment of Jacques Callot’s The Siege of La Rochelle, a monumental print from sixteen plates. While producing a facsimile image might seem relatively simple, there are several details in production that can be adjusted to produce a high quality surrogate. Using digital images from a complete print for the reproduction, two methods of production were identified: printing the appropriate design on a paper similar in quality to the original and printing the illusion of paper texture, color and design on a high quality inkjet optimized paper. This paper will focus the techniques used for the final digital surrogate with a discussion on image capture, digital manipulation, paper selection, and surface coatings.","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132818711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Objects 对象

Approaching Historical Sources in their Contexts Pub Date : 2020-04-13 DOI: 10.4324/9781351106573-10

Sarah Ann Robin

引用次数: 0