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In Hip Hop Time最新文献

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Remembering the Griot 记住格里奥
In Hip Hop Time Pub Date : 2019-01-31 DOI: 10.1093/OSO/9780190913489.003.0003
Catherine M. Appert
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引用次数: 0
Globalizing the Underground 地铁全球化
In Hip Hop Time Pub Date : 2019-01-31 DOI: 10.1093/oso/9780190913489.003.0002
Catherine M. Appert
{"title":"Globalizing the Underground","authors":"Catherine M. Appert","doi":"10.1093/oso/9780190913489.003.0002","DOIUrl":"https://doi.org/10.1093/oso/9780190913489.003.0002","url":null,"abstract":"This chapter outlines the early history of Rap Galsen (Senegalese hip hop), showing the emergence of two originating schools: internationally circulating groups like Positive Black Soul (PBS), Daara J, and Pee Froiss, and hardcore groups like Rap’Adio, Waa BMG 44, and Yatfu. It problematizes the ghetto, the street, and the underground as globally circulating hip hop myths, and argues for local specificity when linking hip hop to urban marginalization. In Dakar, the street and the ghetto represent a particular experience of urbanity tied up in colonization and underdevelopment, and the hip hop underground defines itself not only through lyrical and linguistic content, but through musical aesthetics. Ultimately, this chapter highlights the extent to which Rap Galsen’s own origin story has been produced and finessed over decades to better align with globally circulating hip hop myths.","PeriodicalId":126629,"journal":{"name":"In Hip Hop Time","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114148032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Producing Diaspora 生产移民
In Hip Hop Time Pub Date : 2018-12-20 DOI: 10.1093/oso/9780190913489.003.0006
Catherine M. Appert
{"title":"Producing Diaspora","authors":"Catherine M. Appert","doi":"10.1093/oso/9780190913489.003.0006","DOIUrl":"https://doi.org/10.1093/oso/9780190913489.003.0006","url":null,"abstract":"This chapter shows how palimpsestic practices of hip hop genre produce diasporic connections. It describes how hip hop practices of layering and sampling delink indigenous musical elements from traditional communicative norms to rework them in hip hop, where they signify rootedness and locality in ways consistent with hip hop practice in the United States. It demonstrates that this process relies on applications of hip hop time (musical meter) as being fundamentally different from indigenous music, whose local appeal is contrasted with hip hop’s global intelligibility. It outlines how hip hop concepts of flow free verbal performance from lyrical referentiality to render it a musical element. It argues that these practices of hip hop genre, in their delinking of sound and speech, reshape understandings of the relationship between commercialism and referentiality, and suggests that voice therefore should be understood to encompass artists’ agency in pursuing material gain in the face of socioeconomic struggle.","PeriodicalId":126629,"journal":{"name":"In Hip Hop Time","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121640729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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