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7 | 2020 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature最新文献

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Beyond the Boundaries of Realism Monstrous Islands and Literary Hybrids at the Fin de Siècle in Conan Doyle’s, R. L. Stevenson’s and H. G. Wells’s Fiction
7 | 2020 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature Pub Date : 2020-12-21 DOI: 10.30687/el/2420-823x/2020/01/005
Julie Gay
{"title":"Beyond the Boundaries of Realism\u0000 Monstrous Islands and Literary Hybrids at the Fin de Siècle in Conan Doyle’s, R. L. Stevenson’s and H. G. Wells’s Fiction","authors":"Julie Gay","doi":"10.30687/el/2420-823x/2020/01/005","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2020/01/005","url":null,"abstract":"This article explores the way in which at the fin de siècle, Doyle, Stevenson and Wells chose to set their works on marginal islands in order to spatially escape not only from the bleak reality of the modern world, but also from the constraints of realism, and to reconnect with more imaginative forms of writing. It thus aims to shed new light on the relationship between geographical space and literary aesthetics, and to demonstrate that the island space is especially conducive to generic excursions out of realism and towards the fantastic, the marvellous and even the monstrous, leading to the creation of eminently hybrid literary texts.","PeriodicalId":121787,"journal":{"name":"7 | 2020\n The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature","volume":"178 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121681819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Realism and the Supernatural in Ghost Stories of the Fin de Siècle 现实主义与法国鬼故事中的超自然现象
7 | 2020 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature Pub Date : 2020-12-21 DOI: 10.30687/EL/2420-823X/2020/01/006
N. Freeman
{"title":"Realism and the Supernatural in Ghost Stories of the Fin de Siècle","authors":"N. Freeman","doi":"10.30687/EL/2420-823X/2020/01/006","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2020/01/006","url":null,"abstract":"This article examines the uses of realism in fin-de-siècle ghost stories by Vernon Lee, Ella D’Arcy, Rudyard Kipling, and Gertrude Atherton, It argues that forms of realist practice were central to the sophistication of these stories, and draws connections between their use in supernatural fiction and the work of modernists such as Joseph Conrad. Examining works from the late 1880s to 1905, it maintains that the dismissal of realism by modernists such as Woolf underestimated its importance and its versatility, and that the ghost story’s importance as a vehicle for literary experiment is insufficiently acknowledged.","PeriodicalId":121787,"journal":{"name":"7 | 2020\n The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132204309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“Things that Make One Doubt if They be Mad or Sane” Coping with the Monstrous in Bram Stoker’s Dracula “让人怀疑他们是疯了还是理智的事情”——应对布拉姆·斯托克的《德古拉》中的怪物
7 | 2020 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature Pub Date : 2020-12-21 DOI: 10.30687/EL/2420-823X/2020/01/003
L. Giovannelli
{"title":"“Things that Make One Doubt if They be Mad or Sane”\u0000 Coping with the Monstrous in Bram Stoker’s Dracula","authors":"L. Giovannelli","doi":"10.30687/EL/2420-823X/2020/01/003","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2020/01/003","url":null,"abstract":"This article focuses on Bram Stoker’s landmark novel Dracula (1897), in order to better assess how the phenomenology of the monstrous emerges as inextricably interfused with a late-Victorian socio-cultural background. Attention is drawn to a discursive framework pivoting on scientific discoveries and medical research, as well as degeneration theories and the motif of atavistic regression. Taking its cue from recent trends in literary criticism, this paper also examines how the resort to a cutting-edge technological equipment, such as Mina’s portable typewriter and Dr Seward’s phonograph, can be instrumental in abating Dracula’s vampiric threat.","PeriodicalId":121787,"journal":{"name":"7 | 2020\n The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131517325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Foley Effects in the Gothic Sound in The Castle of Otranto 《奥特朗托城堡》中哥特声的福利效果
7 | 2020 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature Pub Date : 2020-12-21 DOI: 10.30687/EL/2420-823X/2020/01/001
John B. Bender
{"title":"Foley Effects in the Gothic\u0000 Sound in The Castle of Otranto","authors":"John B. Bender","doi":"10.30687/EL/2420-823X/2020/01/001","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2020/01/001","url":null,"abstract":"The insistence among later eighteenth-century critics of the Gothic novel that sound strongly marks the genre confirms the intuition that sounds in these works are meaningful. The Castle of Otranto is laden with the profusely sonic dimensions that commence with the text's opening pages. The analogue in modern film of Foley effects resonates because these are sounds, applied post-production, that often are louder and more striking than real world sounds; similarly,  film and the novel, unlike ordinary experience, can offer true silence. \u0000Walpole was experimenting with a new written technology of sound description, related to effects on the stage of his day. Such theatrical sounds form part of the historical background to the analogy with Foley effects in modern film. Walpole is pioneering a new kind of rendering of psycho-acoustic ambience in the novel, and also psycho-acoustically actuated action. He opens up modes of experience not found in fiction prior to this novel – both with the use of written sound effects, and also with the psychic introjection of these effects to produce terror and horror in the minds of fictional characters.","PeriodicalId":121787,"journal":{"name":"7 | 2020\n The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130428744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: The Supernatural between Fact and Fiction, from the Gothic to the Fin de Siècle 导言:现实与虚构之间的超自然，从哥特到末日
7 | 2020 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature Pub Date : 2020-12-21 DOI: 10.30687/EL/2420-823X/2020/01/000
Flavio Gregori, E. Bizzotto
{"title":"Introduction: The Supernatural between Fact and Fiction, from the Gothic to the Fin de Siècle","authors":"Flavio Gregori, E. Bizzotto","doi":"10.30687/EL/2420-823X/2020/01/000","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2020/01/000","url":null,"abstract":"","PeriodicalId":121787,"journal":{"name":"7 | 2020\n The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122745934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Our Filthy Liues in Swines are Shewd”: Deformed Pigs, Religious Disquiet and Propaganda in Elizabethan England “我们在猪身上肮脏的血统被抛弃了”:伊丽莎白时代英格兰畸形猪、宗教不安和宣传
7 | 2020 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature Pub Date : 2020-12-21 DOI: 10.30687/EL/2420-823X/2020/01/007
L. Baratta
{"title":"“Our Filthy Liues in Swines are Shewd”: Deformed Pigs, Religious Disquiet and Propaganda in Elizabethan England","authors":"L. Baratta","doi":"10.30687/EL/2420-823X/2020/01/007","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2020/01/007","url":null,"abstract":"This article takes into account some broadsheets published in London between 1562 and 1570, a span of time in which the birth of deformed pigs is read in the light of the conflicts that destabilised the auroral decade of Elizabeth I’s reign. In this period, both Protestants and Catholics fostered a symbolic imagery, as a result of which deformed animals (and humans) were deciphered instrumentally as signs of God’s wrath against the religious and political enemy. The pig – a dirty and obscene beast – embodied further meanings when its anatomy exceeded the laws of nature, and could be interpreted as a mirror of moral and social non-conformity.","PeriodicalId":121787,"journal":{"name":"7 | 2020\n The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129583048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Robert Louis Stevenson and the Fin-de-Siècle Vampire “Olalla” (1885) as ‘Aesthetic Fantastic’ 罗伯特·路易斯·史蒂文森和芬德·斯蒂文森的吸血鬼“奥拉拉”(1885年)被评为“美学幻想”
7 | 2020 The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature Pub Date : 2020-12-21 DOI: 10.30687/EL/2420-823X/2020/01/004
Angelo Riccioni
{"title":"Robert Louis Stevenson and the Fin-de-Siècle Vampire\u0000 “Olalla” (1885) as ‘Aesthetic Fantastic’","authors":"Angelo Riccioni","doi":"10.30687/EL/2420-823X/2020/01/004","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2020/01/004","url":null,"abstract":"“Olalla” (1885) by Robert Louis Stevenson has usually been neglected by critics interested in late-Victorian culture. Preceding of just a few weeks the publication of The Strange Case of Dr. Jekyll and Mr. Hyde (1886), this novella has been judged as a derivative work, a story whose interest lies in its different sources, ranging from Edward Bulwer Lytton’s A Strange Story to E.A. Poe’s tales. My analysis aims to prove that in writing this work, Stevenson is probably drawing inspiration from the imagery exploited by some members of the Aesthetic Movement, among them Walter Pater and Edward Burne-Jones.","PeriodicalId":121787,"journal":{"name":"7 | 2020\n The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132748223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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