Women's Activism Behind the Screens最新文献

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‘Regrettably Up-to-Date’, 1975–81 “遗憾地更新”,1975-81年
Women's Activism Behind the Screens Pub Date : 2020-11-27 DOI: 10.2307/j.ctv19cwb22.9
Frances C. Galt
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引用次数: 0
Women and the ACT, 1933– 59 妇女与ACT (1933 - 1959
Women's Activism Behind the Screens Pub Date : 2020-11-27 DOI: 10.2307/j.ctv19cwb22.7
Frances C. Galt
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引用次数: 0
Conclusion 结论
Women's Activism Behind the Screens Pub Date : 2020-11-27 DOI: 10.46692/9781529206302.007
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引用次数: 0
Remarkable Political Gains? The 1980s 显著的政治收益?1980年代
Women's Activism Behind the Screens Pub Date : 2020-11-27 DOI: 10.1332/POLICYPRESS/9781529206296.003.0005
Frances C. Galt
{"title":"Remarkable Political Gains? The 1980s","authors":"Frances C. Galt","doi":"10.1332/POLICYPRESS/9781529206296.003.0005","DOIUrl":"https://doi.org/10.1332/POLICYPRESS/9781529206296.003.0005","url":null,"abstract":"This chapter analyses the methods of formalisation introduced by the ACTT during the 1980s: the appointment of a full-time Equality Officer in the ACTT’s Head Office; the establishment of a network of local Equality Representatives; the introduction of an annual women’s conference; and the increased visibility of women’s activity in union publications. This chapter establishes a narrative of continuity and change in the relationship between women and the ACTT in its exploration of structural gains achieved within the union and stasis in the pattern of women’s employment in the film and television industries. Firstly, this chapter contextualises the formalisation of women’s representation in the ACTT in relation to Margaret Thatcher’s anti-union legislation and the deregulation of the film and television industries. Secondly, this chapter considers each method of formalisation to argue that these new structures established a network of women activists which coordinated women’s activity, facilitated the formulation of policy, and advanced women’s demands at all levels of the union’s structure. Thirdly, this chapter argues that women’s demands continued to encounter hostility and apathy from the ACTT’s male officials and rank-and-file membership, which inhibited the translation of women’s political gains in the union into material gains in the workforce.","PeriodicalId":120894,"journal":{"name":"Women's Activism Behind the Screens","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115974043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conclusion 结论
Women's Activism Behind the Screens Pub Date : 2020-11-27 DOI: 10.1332/policypress/9781529206296.003.0007
Frances C. Galt
{"title":"Conclusion","authors":"Frances C. Galt","doi":"10.1332/policypress/9781529206296.003.0007","DOIUrl":"https://doi.org/10.1332/policypress/9781529206296.003.0007","url":null,"abstract":"The final chapter draws together the key conclusions advanced within this book in relation to its three central themes: the operation of the gendered union structure, women’s union activism, and the relationship between class and gender in the labour movement. Firstly, it argues that a gendered union structure was institutionalised from the union’s establishment and maintained through a belief system that women’s issues were not trade union issues. Secondly, it argues that separate self-organisation was essential to women’s activity within the gendered union structure as it provided an essential space and voice for women to discuss their gender-specific concerns, develop consciousness and skills and formulate policy. It further emphasises the importance of external feminist allies to women’s union activity. Thirdly, it argues that class differences between middle-class women in film and television production and working-class women in the laboratories informed the direction of women’s activity at its height during the 1970s and 1980s. This chapter then surveys the central arguments advanced in each chapter to illustrate these core conclusions. It concludes with a consideration of the practical implications of this research for campaigns against gender discrimination within the British labour movement and the film and television industries.","PeriodicalId":120894,"journal":{"name":"Women's Activism Behind the Screens","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115473064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Catalysts for Change, 1960–75 变革的催化剂(1960 - 1975
Women's Activism Behind the Screens Pub Date : 2020-11-01 DOI: 10.2307/j.ctv19cwb22.8
Frances C. Galt
{"title":"Catalysts for Change, 1960–75","authors":"Frances C. Galt","doi":"10.2307/j.ctv19cwb22.8","DOIUrl":"https://doi.org/10.2307/j.ctv19cwb22.8","url":null,"abstract":"This chapter analyses the relationship between women and the Association of Cinematograph, Television and Allied Technicians (ACTT) between 1960 and 1975 to identify the catalysts for the establishment of the Committee on Equality (COE) in 1973 and the demand for an investigation into gender discrimination in the film and television industries, which culminated in the publication of the Patterns of Discrimination Against Women in the Film and Television Industries report in 1975. Firstly, this chapter considers whether the ‘roots’ of women’s militancy evident in the labour movement during the 1960s (Boston, 2015) can be identified within the ACTT between 1960 and 1968. Secondly, this chapter argues that the emergence of the New Left and women’s liberation movement and industrial militancy in Britain between 1968 and 1973 encouraged women to challenge the gendered union structure of the ACTT. This section particularly highlights the significance of the London Women’s Film Group to women’s activity within the ACTT. Finally, this chapter investigates the activity of the COE between 1973 and 1975, considering: the demands advanced by women activists at the ACTT’s 1973 Annual Conference, the logistics of the investigation, the obstacles to women’s activity, and the function of women’s separate self-organisation.","PeriodicalId":120894,"journal":{"name":"Women's Activism Behind the Screens","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115641370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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