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The African Diaspora最新文献

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Jazz on the Global Stage 全球舞台上的爵士乐
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-4
Jerome S. Harris
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引用次数: 5
Communities of Style: Musical Figures of Black Diasporic Identity 风格社区:黑人散居身份的音乐人物
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-3
V. Erlmann
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引用次数: 4
Musical Revivals and Social Movements in Contemporary Martinique: Ideology, Identity, Ambivalence 当代马提尼克岛的音乐复兴和社会运动:意识形态、身份、矛盾心理
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-10
J. Gerstin
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引用次数: 4
Art Blakey's African Diaspora 阿特·布莱基的非洲侨民
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-11
Ingrid T. Monson
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引用次数: 0
Jazz Performance as Ritual: The Blues Aesthetic and the African Diaspora 作为仪式的爵士表演:蓝调美学与散居的非洲人
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-2
Travis A. Jackson
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引用次数: 0
Militarism in Haitian Music 1 海地音乐中的军国主义
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-9
G. Averill, Yuen-Ming David Yih
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引用次数: 0
They Just Need Money: Goods and Gods, Power and Truth in a West African Village 他们只需要钱:一个西非村庄的商品与神，权力与真理
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-8
Steven Cornelius
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引用次数: 0
Mamaya: Renewal and Tradition in Maninnka Music of Kankan, Guinea (1935–45) Mamaya:几内亚坎坎马宁卡音乐的复兴与传统(1935 - 1945)
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-6
L. Kaba, brie Charry
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引用次数: 1
Women, Music, and the "Mystique" of Hunters in Mali 1 女性、音乐和马里猎人的“神秘感”1
The African Diaspora Pub Date : 2018-07-17 DOI: 10.4324/9781315805344-5
Lucy Durán
{"title":"Women, Music, and the \"Mystique\" of Hunters in Mali 1","authors":"Lucy Durán","doi":"10.4324/9781315805344-5","DOIUrl":"https://doi.org/10.4324/9781315805344-5","url":null,"abstract":"In his study of Maninka and Bamana hunters’ initiation societies (donsotonw), the Malian scholar Youssouf Tata Cisse quotes a significant line from one hunter’s song text: dunun nege be sogo faa bali la (Those who don’t hunt are crazy for hunters’ music!) (Cisse 1994:207.3 Despite the fact that, in Mali, game is now scarce and protected by legislation, the cultural traditions and moral values of hunters’ societies continue to be of deep symbolic importance for contemporary Malians. The mere sight of a hunter, dressed in the traditional hunter’s cap and tunic of mud-dye cloth, conjures images of Mali’s glorious past, going back to the master hunter (simbon) Sunjata Keita, the founder of the Mali (Mande) empire in 1235.","PeriodicalId":112626,"journal":{"name":"The African Diaspora","volume":"252 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133092345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Concepts of Neo-African Music as Manifested in the Yoruba Folk Opera 新非洲音乐概念在约鲁巴人民间歌剧中的体现
The African Diaspora Pub Date : 2004-03-01 DOI: 10.4324/9780203493052-15
Akin Eúbà
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引用次数: 2
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