{"title":"‘Notre Chine’ : China’s shifting position within Marguerite Duras’s Cycle indochinois","authors":"Paul McElhinny","doi":"10.1177/09571558221098003","DOIUrl":"https://doi.org/10.1177/09571558221098003","url":null,"abstract":"This essay takes Marguerite Duras’s presentation of Sino-French relations as a case study to re-examine and call into question postcolonial theorizations of China’s shifting position vis-à-vis the West. I use two understudied essays by Duras, which describe her childhood travels to Yunnan, a Chinese province that borders Indochina, and her views on the Tiananmen Square protests. In each iteration of Duras’s Cycle indochinois, spanning almost four decades, she significantly alters her depictions of Chinese characters and settings – namely that of the Chinese lover and Cholon. I explore how Duras utilizes her memories of China as a thread to connect and re-interpret different parts of her personal life while also reflecting the regional interplay between China and France in continental Southeast Asia, as well as China’s growing power within the world economic system. I contend that the personal anxiety Duras projects towards China’s so-called ‘rise’ in her late-career signals a contemporary re-balancing of Franco-Chinese cross-cultural representations as the author’s engagement with the country shifts from that of a mythical, timeless civilization to a geopolitical and historical reality.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"175 - 190"},"PeriodicalIF":0.4,"publicationDate":"2022-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44638587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Orthographe et éducation des citoyens dans les dictées françaises de Gouzien","authors":"Katharina Vajta","doi":"10.1177/09571558221092954","DOIUrl":"https://doi.org/10.1177/09571558221092954","url":null,"abstract":"Orthography and education of the citizens in texts for dictation by Gouzien. During the 19th century, dictation was probably the most current exercise in French schools and therefore the content of the texts dictated must not be neglected. Hence, we here intend to examine how they can contribute to constructing France, building national identity and forming citizenship during the first years of the French Third République. The first part of the study will give a historical background to the teaching of spelling. Then, we will present the theoretical and methodological frame of the study, before examining the double aim of dictation (to instruct and to educate) and the themes contributing to the discursive construction of the nation and the pupil’s education to citizenship, i.e. History, Homeland and National imaginary.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"376 - 389"},"PeriodicalIF":0.4,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48286760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fires of resistance in Algerian discourse: A genealogy of a trope","authors":"G. Austin, Gemma McKinnie","doi":"10.1177/09571558221092963","DOIUrl":"https://doi.org/10.1177/09571558221092963","url":null,"abstract":"This article takes as its starting point the use of fire as a political metaphor by Algerians who participated in the Screening Violence research project; it emerged in these discussions as a trope of struggle and conflict in Algeria. In part, this political imaginary has been influenced by France, where fire has historically represented freedom and resistance to unjust powers. However, this inheritance has not been received passively in Algeria, and its irony in a colonial context contributes to a complex relationship with tropes of resistance in Algerian cultural and social discourse. We therefore trace a genealogy of the trope of fire which acknowledges the inevitable and significant contribution of the French political imaginary to the Algerian, but which also recognises the distinct cultural modes of resistance taken up by Algerian artists and political activists themselves, from the Algerian Revolution of 1954 to the Hirak protests of 2019.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"315 - 327"},"PeriodicalIF":0.4,"publicationDate":"2022-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45045793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Framing community in motion in the transregional Mediterranean: Madeleine Leroyer’s #387 disparu en Méditerranée and Merzak Allouache’s Normal!","authors":"B. Guenther","doi":"10.1177/09571558221078449","DOIUrl":"https://doi.org/10.1177/09571558221078449","url":null,"abstract":"Leroyer’s documentary, #387 disparu en Méditerranée (2019), tracks the attempt to reconstruct the identity of migrants lost off the coast of Libya whereas Allouache’s metatextual Normal! (2011) captures elliptically the effects of the Arab Spring in Alger. Through the lens of both films, the relevance of adopting a transregional approach in order to analyze communities in motion becomes apparent: Leroyer’s documentary shifts both in its geographical coordinates around the Mediterranean and in its inclusion of individuals working together across different languages whereas Allouache’s film explores the “connected differences” (Audre Lorde) of individuals associated with Algeria, sub-Saharan Africa and France and caught in the thrall of the Arab spring. Allouache’s and Leroyer’s films, screened at Montpellier’s annual Cinémed, clearly do contribute to the transregional network of Mediterranean cinema. The juxtaposition of the two films, which track migration at different points along the spectrum, brings to light the potential for community solidarity and resistance beyond a national scale without glossing over the shadow sides of transregionalism. Drawing on recent geo-political assessments of transregionalism (for instance, James W. Scott and Hans-Joachim Bürkner), this article investigates how the potential and the limits of transregional solidarity are imagined in Leroyer’s documentary, #387 disparu en Méditerranée, and Allouache’s docudrama, Normal!.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"210 - 226"},"PeriodicalIF":0.4,"publicationDate":"2022-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45633284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Defining a sustainable French architecture: France's national pavilion at the 2004 Venice Biennale","authors":"A. Vincent","doi":"10.1177/09571558221085425","DOIUrl":"https://doi.org/10.1177/09571558221085425","url":null,"abstract":"The French pavilion at the 2004 Venice Biennale of Architecture took up the theme of sustainable design through a “prospective game” that challenged participating architects to imagine an urban neighborhood's transformation in response to economic, social, and environmental constraints over the following 30 years. The exhibition paradoxically appeared to proclaim French sustainable know-how at a time when French architects viewed the profession as lagging behind their European neighbors in terms of ecological approaches. By framing sustainability as avant-garde, experimental design, the pavilion reconciled “French” and “sustainable” architecture. Examining this exhibit and its impact contributes to an understanding of French self-fashioning of national identity around culture. Moreover, this case demonstrates how cultural elements of identity influence responses to global challenges such as climate change.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"345 - 360"},"PeriodicalIF":0.4,"publicationDate":"2022-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46731460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“A ghost in the system”: French nuclear colonialism and the haunting of republicanism","authors":"Pierre-Elliot Caswell","doi":"10.1177/09571558221089515","DOIUrl":"https://doi.org/10.1177/09571558221089515","url":null,"abstract":"While France claims to be the nation of universal human rights, its historical intimacy with imperialism would suggest otherwise. The discourse of Republicanism is therefore what allows France to erase and smooth out rhetorical and material incongruities, allowing it to retain its national integrity. This article thus examines the discursive continuities between two constitutive realms of French power: colonialism and nuclearism. I argue that, rather than being separate, these two matrices must be understood as one continuum traversed by the same questions. I analyze their conjoined structure through two historical speeches which both rely on universal Republicanism as justification: Jules Ferry’s 1885 intervention at the National Assembly defending his imperial legacy; and Charles de Gaulle's speeches in Papeete, in 1966, promising a radiant future to Tahiti in the postcolonial era. Republican universalism as a discursive tool, however, is not impervious to porousness: it is always haunted by the violence it inflicts and the peoples it affects. An attention to the ghosts that live inside the social fabric produced by this discourse, thus, helps us critically engage Republican universalism and reorganize the hidden, paradoxical aspects of French (post)colonial memory. Haunting, in other words, becomes a decolonial praxis for recovering what has been negated and interrupting the appearance of narrative cohesion that France relies upon.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"301 - 314"},"PeriodicalIF":0.4,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41685222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Holocaust denial, Le Vicaire, and the absent presence of Nadine Fresco and Paul Rassinier in Jorge Semprún's La Montagne blanche","authors":"Donald Reid","doi":"10.1177/09571558221078450","DOIUrl":"https://doi.org/10.1177/09571558221078450","url":null,"abstract":"The importance to Jorge Semprún of confronting Holocaust denial in Vichy Syndrome France is not central to analyses that have been done of La Montagne blanche. To detect it, we must do what Semprún never stops asking readers to do: visit the external worlds to which his text directs us and reread his corpus so as to return with new insights and questions to pose to the text at hand. This essay examines La Montagne blanche in light of Semprún's presentation of Jewish characters in Le grand voyage; his adaptation of Rolf Hochhuth's Le Vicaire; his critique of the Communist party's belated acknowledgment of the gulag; his relationships to the Holocaust denier and severe critic of the Communists at Buchenwald, Paul Rassinier, and to Nadine Fresco, the most penetrating analyst of Rassinier; and his attention to Holocaust denial when he wrote fiction rooted in historical situations. Holocaust denial is an erasure. La Montagne blanche draws our attention to that erasure in a novel in which the subject is hardly mentioned.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"227 - 241"},"PeriodicalIF":0.4,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43318141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Altérité lexicale dans les parlers francophones : figure de l’étranger","authors":"Hadi Dolatabadi","doi":"10.1177/09571558211049731","DOIUrl":"https://doi.org/10.1177/09571558211049731","url":null,"abstract":"Relationships with others raise issues of identity and characterize individuals in their behavior with others. These identity issues, which are specific to each society, are sources of the discourse of otherness. In the French-speaking space which, by its essence and in the light of historical facts, reflects otherness, this discourse is reflected in the terms and lexies of topolectal varieties of French. Based on an onomasiological approach, going from definition to words to discover how otherness is presented, this research aims to identify and present the lexical aspect of the discourse of others in a lexicographical corpus from all over the French-speaking world. In other words, this article studies the topolectal speaking of French to find terms used to evoke otherness. Terms such as “French”, “European”, “foreign”, “white” were the object of a first observation given that they constitute the reverses of a discourse of domination in the dichotomy colonizer-colonized against with “aboriginal” “negro” and “black”. Through illustrated examples, we demonstrate that different aspects such as physical, geographic, and identity traits are vehicles of this discourse which, axiologically, mainly present the pejorative values attributed to the other. Also, it would seem that colonial memory helps to nourish this vision of the other who stands out from the speakers, whose speech is studied, by his foreign origin.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"147 - 167"},"PeriodicalIF":0.4,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42469421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The expediency of literature: French humanitarian narratives between politics and the market","authors":"Oana Sabo","doi":"10.1177/09571558221079757","DOIUrl":"https://doi.org/10.1177/09571558221079757","url":null,"abstract":"In recent years, French authors have called for the mobilization of literature in favor of migrants’ rights and recognition. Writers, publishers, and booksellers have donated all revenue to humanitarian agencies such as La Cimade, Amnesty International, and UNHCR. At the same time, humanitarian NGOs have mobilized literary works to rally audiences around migrant issues. This essay examines how contemporary French literature and humanitarian organizations work in tandem to respond to the international migrant “crisis.” Drawing on George Yúdice's notion of “culture as resource,” I analyze two literary works—Matéi Visniec's play Migraaaants and Émilie de Turckheim's autofictional text Le Prince à la petite tasse—to argue that literary works’ ability to raise awareness about current migrations is enhanced when they sit alongside the actions of humanitarian NGOs.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"361 - 375"},"PeriodicalIF":0.4,"publicationDate":"2022-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41509305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Animating a neighborhood: The enchanting placemaking of Le Grand Éléphant de Nantes","authors":"Jason C Grant","doi":"10.1177/09571558221078454","DOIUrl":"https://doi.org/10.1177/09571558221078454","url":null,"abstract":"At the end of an industrial era in which Nantes was the busiest shipping and slave-trading port in France, a giant, mechanical elephant became an animating force in the city's reanimation of the neighborhood left behind. In this paper, I consider the Grand Éléphant de Nantes as a case study of urban enchantment. The elephant occupies the boundary between artwork, machine, and animal, allowing it to captivate spectators and encourage the communal creation of a place in a public urban space. It simultaneously turns away from, rather than grappling with, the site's historical role in the transatlantic slave trade. Following Jane Bennett's conception of enchantment as a method of commodity fetishism, this paper shows that enchantment is a force of placemaking that draws spectators from urban stupor and in doing so, raises the potential for ethical engagement with space.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"199 - 209"},"PeriodicalIF":0.4,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49150389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}