Creative tourism: activating cultural resources and engaging creative travellers最新文献_第2页

Creative tourism as a local development strategy. 创意旅游作为地方发展战略。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0024

L. Almeida

引用次数: 0

COOLWOOL - creative weekend at Covilhã, a co-designed programme. COOLWOOL -创意周末在Covilhã，一个共同设计的项目。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0017

Rita Salvado, Guida Rolo

{"title":"COOLWOOL - creative weekend at Covilhã, a co-designed programme.","authors":"Rita Salvado, Guida Rolo","doi":"10.1079/9781789243536.0017","DOIUrl":"https://doi.org/10.1079/9781789243536.0017","url":null,"abstract":"Abstract\u0000 COOLWOOL, Creative weekend at Covilhã is a creative tourism programme to discover the wool industrial heritage of the Portuguese industrial city of Covilhã. It proposes a singular experience of immersion into the city factory and into the factory ambience. The project is co-organized by the New Hand Lab (www.newhandlab.com) and the Wool Museum of the University of Beira Interio(www.museu.ubi.pt) and was developed as part of the CREATOUR ® project. Creative weekend at Covilhã is a city break programme that invites participants to discover the wool industrial heritage of the city. It aims to offer creative and relaxed tourism activities to discover the local culture, through being introduced to crafting techniques and by sensing the wool heritage. The programme is conceived to reach a very specific group of tourists, experienced people who have accumulated both a taste for creative experiences as well as an enthusiasm for textiles and wool culture. This programme, offered all year round, aims to offer alternatives to winter sports, challenging visitors to discover the wool culture. The aim in the future is to enlarge the audience, bringing to Covilhã more visitors interested in industrial wool heritage. It is thus a programme for curious people who like new experiences, to be challenged, and to know the places they visit through their history and identity.","PeriodicalId":342652,"journal":{"name":"Creative tourism: activating cultural resources and engaging creative travellers","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121795445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Collective invention: a travelling artist's perspective. 集体发明:一个旅行艺术家的视角。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0005

Margaret Feeney

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Deep mapping as a cultural mapping process and a creative tourism driver: two examples. 深度映射作为文化映射过程和创意旅游驱动力:两个例子。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0015

K. Scherf

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User-centred design for creative tourism prototyping: the Maribor experience. 以用户为中心的创意旅游原型设计:马里博尔体验。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0013

F. Bakas, Tiago Vinagre de Castro, Anastasia Osredkar

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Why creative tourism won't work if residents are not involved: a tale of two cities. 为什么没有居民参与，创意旅游就行不通:双城记。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0025

K. Scherf

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Interview with Mélanie Wolfram, Vagar Walkingtours: connecting to family travel with creative tourism. 采访瓦格尔徒步旅行公司的姆萨姆兰妮·沃尔夫拉姆:将家庭旅行与创意旅游联系起来。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0006

Mélanie Wolfram, Sara Albino

{"title":"Interview with Mélanie Wolfram, Vagar Walkingtours: connecting to family travel with creative tourism.","authors":"Mélanie Wolfram, Sara Albino","doi":"10.1079/9781789243536.0006","DOIUrl":"https://doi.org/10.1079/9781789243536.0006","url":null,"abstract":"Abstract\u0000 This paper presents an interview with Melanie Wolfram on Vagar Walkingtours. Vagar Walkingtours is a small tourism company (registered as a tourism 'animation' company in Évora) that promotes 'slow touristic visits', conducting these cultural visits in all of the Alentejo region and, more particularly, focusing on the North Alentejo. It does private tours and try to adapt to the will of the clients, providing heritage tours, wine tours, and arts and crafts tours, among other options. It has a deep interest in archaeology, built heritage, and local practices of intangible cultural heritage, such as horse riding and gastronomy. The three main principles underlying the creation of the tourism offers at Vagar Walkingtours are time, personalization of activities, and cultural values associated with Alentejo, all three form the foundation for the establishment of local partnerships. That is why they have created the tailor made visits: offering exactly what the client wishes, mostly in their native language. The paper highlights specifically the offer of activities that we have for families, in particular the Play Évora creative tourism approach, which combines cultural and nature tourism activities, an educational component, and immersion in local culture.","PeriodicalId":342652,"journal":{"name":"Creative tourism: activating cultural resources and engaging creative travellers","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130064532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Santa Fe, New Mexico's creative tourism initiative. 圣达菲，新墨西哥州的创意旅游项目。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0022

Sabrina V. Pratt

{"title":"Santa Fe, New Mexico's creative tourism initiative.","authors":"Sabrina V. Pratt","doi":"10.1079/9781789243536.0022","DOIUrl":"https://doi.org/10.1079/9781789243536.0022","url":null,"abstract":"Abstract\u0000 The City of Santa Fe, New Mexico's Creative Tourism Initiative ran from 2009 to 2015. It began as a result of Santa Fe's membership in the United Nations Educational and Scientific and Cultural Organization (UNESCO) Creative Cities Network. Santa Fe joined the network in 2005, and that same year a UNESCO representative involved in forming the Creative Cities Network brought up the concept of creative tourism as an economic development tool. Santa Fe, population 84,683 (US Census Bureau, 2019), is known for its history, arts, and culture in a southwestern US state that shares a border with Mexico. As a crossroads for Native American, Spanish, Mexican, and European culture, plus a beautiful desert and mountainous landscape, tourism is one of New Mexico's primary industries. The Creative Tourism Initiative, led by the City of Santa Fe, developed a robust selection of creative tourism experiences and promoted them. The City assigned staff members of its Arts Commission, the city's arts agency, to design and implement the programme. This study tackles how CTI promotes Santa Fe, in terms of training, their website, and other marketing channels.","PeriodicalId":342652,"journal":{"name":"Creative tourism: activating cultural resources and engaging creative travellers","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117086951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Connecting local artisans to tourism in extra-metropolitan areas: the importance of social embeddedness. 将当地工匠与大都市以外地区的旅游业联系起来:社会嵌入的重要性。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0028

F. Bakas

{"title":"Connecting local artisans to tourism in extra-metropolitan areas: the importance of social embeddedness.","authors":"F. Bakas","doi":"10.1079/9781789243536.0028","DOIUrl":"https://doi.org/10.1079/9781789243536.0028","url":null,"abstract":"Abstract\u0000 This chapter presents highlights from recent research into the emergence of artisan entrepreneurmediators who link artisans to creative tourism initiatives in extra-metropolitan areas (i.e. rural areas and small cities) in Portugal (Bakas et al., 2018). Creative tourism is aligned with contemporary trends to revive local crafts and traditions in rural areas as it stimulates artisan entrepreneurs to co-create and co-preserve local traditions (Duxbury and Richards,2019) while engaging with the local community (Landry, 2010). In extra-metropolitan regions, economies are often fragile and small businesses often find it hard to stay solvent. 'The countryside' or the 'rural' must be considered as a place where the creative economy is differently manifested and articulated from the now standard 'creative script' based on cities (Bell and Jayne, 2010). It is imperative to understand the critical elements within a small business's operating environment or 'ecosystem' that support or thwart entrepreneurial activity (Kline et al., 2014). With artists and artisans increasingly used to represent, market, and enhance the visual image of destinations, looking more closely at the link between artisan activity and tourism is timely (Morpeth and Long, 2016).","PeriodicalId":342652,"journal":{"name":"Creative tourism: activating cultural resources and engaging creative travellers","volume":"699 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128140304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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A typology of creative travellers in Bogota, Colombia: the experience of Bogota. 哥伦比亚波哥大创意旅行者的类型学:波哥大之旅。

Creative tourism: activating cultural resources and engaging creative travellers Pub Date : 1900-01-01 DOI: 10.1079/9781789243536.0002

Diana Zuluaga, Diana Guerra

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