{"title":"Zwigato","authors":"","doi":"10.32873/uno.dc.jrf.26.02.19","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.02.19","url":null,"abstract":"This is a film review of Zwigato (2022), directed by Nandita Das.","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116336540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Indonesian Cinema after the New Order: Going Mainstream","authors":"A. Huda","doi":"10.32873/uno.dc.jrf.26.01.55","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.01.55","url":null,"abstract":"This is a book review of Thomas Barker, Indonesian Cinema after the New Order: Going Mainstream (Hong Kong University Press, 2020).","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123309034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gender, Race, and Religion in an African Enlightenment","authors":"J. Lyonhart","doi":"10.32873/uno.dc.jrf.26.01.50","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.01.50","url":null,"abstract":"Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar to genetic critiques, such alternative genealogies are not primarily about history but about the future, providing an almost eschatological vision of how society could be restructured.","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"630 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132867491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Religion and Film: Representation, Experience, Meaning","authors":"S. Branco","doi":"10.32873/uno.dc.jrf.26.01.56","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.01.56","url":null,"abstract":"This is a book review of Stefanie Knauss, Religion and Film: Representation, Experience, Meaning (Brill, 2020).","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127994583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Seeing and Interpreting Visions of the Next Age in Interstellar","authors":"Nancy G. Wright","doi":"10.32873/uno.dc.jrf.26.01.51","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.01.51","url":null,"abstract":"Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are conventions of the apocalypse genre.","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125850083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"New Approaches to Islam in Film","authors":"","doi":"10.4324/9781351189156","DOIUrl":"https://doi.org/10.4324/9781351189156","url":null,"abstract":"This is a book review of Kristian Petersen, ed., New Approaches to Islam in Film (New York: Routledge, 2021).","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116156913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bollywood Horrors: Religion, Violence and Cinematic Fears in India","authors":"Sen Meheli","doi":"10.32873/uno.dc.jrf.26.01.58","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.01.58","url":null,"abstract":"This is a book review of Ellen Goldberg, Aditi Sen, and Brian Collins, eds., Bollywood Horrors: Religion, Violence and Cinematic Fears in India (Bloomsbury Academic, 2021).","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"34 12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125718676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Turning Red","authors":"Micha Dunwoody","doi":"10.32873/uno.dc.jrf.26.01.062","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.01.062","url":null,"abstract":"This is a film review of Turning Red (2022) directed by Domee Shi.","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129954877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transforming Leviathan: Job, Hobbes, Zvyagintsev and Philosophical Progression","authors":"Graham C. Goff","doi":"10.32873/uno.dc.jrf.26.01.53","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.01.53","url":null,"abstract":"The allegory of Leviathan, the biblical serpent of the seas, has undergone numerous distinct and even antithetical conceptions since its origin in the book of Job. Most prominently, Leviathan was the namesake of Thomas Hobbes’s 1651 political treatise and Andrey Zvyagintsev’s 2014 film of the same name, a damning indictment of Russian corruption. These three iterations underscore the societal transition from the recognition of power as being derived from God to the secularization of power in Hobbes’s philosophy, to the negation of the legitimacy of divine and secular institutional power, in Zvyagintsev’s controversial film. This examination of Leviathan’s three unique iterations elucidates the evolution of philosophy and the solution to a world devoid of authority. An autopsy of Leviathan’s allegorical beached corpse invites the individual to create and recognize their own authority and purpose, thus fabricating a fourth transformation of Leviathan.","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130839944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On My Mind","authors":"W. Blizek","doi":"10.32873/uno.dc.jrf.26.01.49","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.26.01.49","url":null,"abstract":"This is a review of the short film On My Mind (2021), directed by Martin Stange-Hansen","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133645799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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