{"title":"新秩序后的印尼电影:走向主流","authors":"A. Huda","doi":"10.32873/uno.dc.jrf.26.01.55","DOIUrl":null,"url":null,"abstract":"This is a book review of Thomas Barker, Indonesian Cinema after the New Order: Going Mainstream (Hong Kong University Press, 2020).","PeriodicalId":341268,"journal":{"name":"Journal of Religion & Film","volume":"47 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Indonesian Cinema after the New Order: Going Mainstream\",\"authors\":\"A. Huda\",\"doi\":\"10.32873/uno.dc.jrf.26.01.55\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This is a book review of Thomas Barker, Indonesian Cinema after the New Order: Going Mainstream (Hong Kong University Press, 2020).\",\"PeriodicalId\":341268,\"journal\":{\"name\":\"Journal of Religion & Film\",\"volume\":\"47 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Religion & Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32873/uno.dc.jrf.26.01.55\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Religion & Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32873/uno.dc.jrf.26.01.55","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
