门兹,奥利弗和弗莱纳,米哈(编)(2018):语言教学的艺术:国际视角:表演-审美-横向。文学词汇:富有

James R. Layton
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引用次数: 0

摘要

《语言教学中的艺术:国际视角:表演-美学-横向》是一本引人入胜的论文集,探讨了语言教学与表演之间已建立的和新兴的对话。在将语言教育学和表演艺术结合在一起的过程中,编辑奥利维尔·门茨(Olivier Mentz)和米歇尔·弗莱纳(Micha Fleiner)证明,将这两门学科结合在一起可以学到很多东西。在第一章——表演、学习和审美教育中,迈克·弗莱明探讨了学习目标和审美结果之间的紧张关系。在此过程中,弗莱明讨论了在戏剧艺术中学习和通过戏剧艺术学习的概念;后者的包容性是戏剧在语言教学中运用的自然方式。尽管学习的想法经常被拒绝为一种狭隘和传统主义的方法,其中美学目标高于一切,弗莱明认为,从更深层次的艺术形式参与戏剧(为艺术而艺术)可以获得很多东西。他认为,角色扮演在语言教学中的普遍应用范围有限,通过增加角色扮演的深度(例如,考虑角色的动机),可以产生更深层(而不是表面)的学习体验。如果在……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mentz, Olivier & Fleiner, Micha (eds.) (2018): The Arts in Language Teaching: International Perspectives: Performative – Aesthetic – Transversal. LIT Verlag: Zürich
The Arts in Language Teaching: International Perspectives: Performative – Aesthetic – Transversal is an engaging collection of essays exploring the established and emerging dialogues between language teaching and performativity. In bringing together language pedagogy and the performing arts, the editors Olivier Mentz and Micha Fleiner demonstrate there is much to learn from integrating the two disciplines. In the opening chapter – Performativity, Learning and Aesthetic Education - Mike Fleming explores the tensions between learning goals and aesthetic outcomes. In doing so, Fleming discusses notions of learning in and learning through the art of drama; the inclusivity of the latter being a natural way for drama to be used in language teaching. Despite the idea of learning in being often rejected as a narrow and traditionalist approach in which aesthetic goals are privileged above all else, Fleming suggests that there is much to be gained from engaging with drama (art for art’s sake) as an art form on a deeper level. He argues that the common use of role play in language teaching is limited in scope and, by adding depth to a role play (e.g. considering a character’s motivations), a deeper (rather than surface) learning experience emerges. If learning in ...
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