“谴责过错而不谴责过错的执行者?”“超越累犯的限制,通过以莎士比亚为中心、以监狱为基础的方法,加强(再)人性化。

IF 1 4区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH
L. Nicklin
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引用次数: 0

摘要

研究充分,但在政策和实践中却未得到充分承认,单靠监狱是无法减少犯罪的。虽然在美国累犯率很高,但累犯是一种普遍而有限的衡量标准,很少捕捉到个人的细微差别。本文介绍了一个以莎翁为中心的、建立良好的多地点监狱项目的主要研究结果,该项目具有更广泛的积极成果,特别是围绕一个研究问题:参与者和实践者报告说,参与以莎翁为基础的监狱项目的感知结果是什么?本文概述了关键的总体发现,通过在多个感知角色(包括剧作家,角色,导师,朋友,教育家)中使用莎士比亚,围绕读写能力,情感和表达技能以及项目实践(包括基于戏剧的活动,空间,独奏,团体和合奏活动,从业者-参与者互动和精神)的参与感知影响。这些都与社会正义问题有关,从而得出监狱中的人对社会和他们自己的潜在(重新)人性化的总体结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Condemn the fault and not the actor of it?’ Moving beyond the limits of recidivism to enhancing (re)humanisation through a Shakespeare-focussed, prison-based approach
ABSTRACT It is well researched, yet under-acknowledged in policy and practice, that prison alone is unsuccessful in reducing criminality. Though in the USA recidivism is high, recidivism is both a common and limited measure, rarely capturing individual nuances. This paper presents key findings from an ethnographically-informed exploration of a well-established multi-sited Shakespeare-focussed prison-based programme boasting broader positive outcomes, specifically surrounding one research question: What are the perceived outcomes of engagement in prison-based Shakespeare programmes, as reported by participants and practitioners? This paper outlines key overarching findings, surrounding perceived impacts of participation through the use of Shakespeare in multiple perceived roles (including playwright, character, mentor, friend, educator), work around literacy, emotional and expression skills and programme practices (including theatre-based activities, spaces, solo, group and ensemble activities, practitioner-participant interactions and ethos). These are connected to social-justice issues, concluding an overarching outcome of potential (re)humanisation of people in prison to society and themselves.
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来源期刊
English in Education
English in Education EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
2.30
自引率
11.10%
发文量
30
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