(再)思考时间:在学生教师的影像艺术作品中物化超越人类的同理心

IF 0.6 Q3 EDUCATION & EDUCATIONAL RESEARCH
Rachel Sinquefield-Kangas, A. Ojala, Hanna Niinistö
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引用次数: 2

摘要

在这篇文章中,我们通过研究10个赫尔辛基大学本科教育专业的学生制作的视频来探索空间、时间和物质与同理心和自然的关系。作为艺术和音乐学生之间的跨学科项目的一部分,这些视频艺术作品的灵感来自花园主题。使用基于艺术的后定性方法,我们追踪移情与自然之间的关系或相互联系的线索,将它们视为纠缠在一起的“时空重要”事件。在艺术和科学的交叉点工作,并受到新唯物主义的启发-特别是凯伦巴拉德的代理现实主义理论-我们重新思考艺术创作中的空间和时间作为时空物质。时空物质被理解为一个统一的概念,揭示了艺术实践是如何唤起对移情的异质理解的,将超越人类的物体/材料/物质作为超越笛卡尔二元论的纠缠现象。最后,我们讨论了为什么重新思考空间和时间作为时空物质对于未来的艺术教育和研究实践是重要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
(Re)Thinking Time: Materializing More-Than-Human Empathy in Student Teachers’ Video Artworks
In this article, we explore space, time, and mattering in relation to empathy and nature by examining videos created by 10 undergraduate education majors attending university in Helsinki. Completed as part of a cross-curricular project between art and music students, the video artworks were inspired by a garden theme. Using arts-based, postqualitative methods, we trace relationships or threads of interconnectedness between empathy and nature, viewing them as entangled “spacetimemattering” events. Working in the intersection of arts and sciences, and inspired by new materialisms—specifically Karen Barad’s theory of agential realism—we rethink space and time in artmaking as spacetimemattering. Spacetimemattering, understood as a unified concept, reveals how artistic practices work to conjure heterogeneous understandings of empathy, involving more-than-human objects/materials/matter as entangled phenomena that transcend Cartesian dualisms. In concluding, we discuss implications as to why rethinking space and time as spacetimemattering is important for future art education and research practices.
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来源期刊
Studies in Art Education
Studies in Art Education EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
1.30
自引率
50.00%
发文量
20
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