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引用次数: 1
摘要
这篇概念性的论文探讨了利用叙事诗作为刺激,通过戏剧惯例恢复自我的可能性。我们用Wislawa Szymborska的诗“the Terrorist, He 's Watching”与戏剧惯例相结合,说明教育工作者如何支持年轻人和边缘人群参与恢复过程。在此过程中,我们认为使用诗歌和戏剧创造话语元叙事的重要性,使参与者能够通过创造性的探索将自己重新描述为主要的叙事形式。辛波斯卡的诗之所以被选为一种刺激,是因为诗人在不同的时间和地点使用了多种视角和角色,使人们能够重塑和重新想象他们的身份,并探索关于恐怖主义的主流叙事。作者打算在这一概念部分之后进行实证研究。
Forging new realities: using drama conventions and poetry to explore the issue of terrorism
ABSTRACT This conceptual paper examines the possibilities for restorying the self through drama conventions using narrative poetry as a stimulus. Using the poem “The Terrorist, He’s Watching” by Wislawa Szymborska to engage with drama conventions, we illustrate how educators might support young and marginalised people to participate in the process of restorying. In doing so, we argue for the importance of using poetry and drama to create meta-narratives of discourse which empower participants to restory themselves into the dominant forms of narrative through creative exploration. Szymborska’s poem has been chosen as a stimulus due to the poet’s use of multiple perspectives and roles, in different times and places, which enable people to reshape and reimagine their identity and explore dominant narratives about terrorism. The authors intend to follow this conceptual piece with an empirical study.