后数字文体学:诗歌和互联网混搭的创造性多模态解读

IF 1 4区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH
K. O'Halloran
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引用次数: 1

摘要

文体学是语言学的一个分支,主要研究语言风格,尤其是文学风格的系统分析。诗歌一直是文体学的主要内容。然而,诗歌的创作表现和文体分析却很少并行不悖。我展示了一种文体学教学法,用于在高等教育中创造性地解释诗歌,学生们可以对诗歌进行数字多模式的故事解释。这种教学方法反映了当代互联网混搭文化,认识到学生生活在一个“后数字”世界,在这个世界里,常见的软件和资源为不同目的(艺术、喜剧等)提供了DIY并置音频和视频的机会。这种后数字文体学的一个优势是,它整合了基于表现的读者,在与印刷相关的训诂阅读实践中被边缘化。我用查尔斯·布考斯基(Charles Bukowski)的诗歌《蓝鸟》(the bluebird)的学生视频来说明教学方法,对其前景风格进行了分析,并解释了这种分析(至关重要)是如何激发镜头设计的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Postdigital stylistics: creative multimodal interpretation of poetry and internet mashups
ABSTRACT Stylistics is a branch of linguistics concerned with the systematic analysis of style in language, particularly literary style. Poetry has been a staple of stylistics. Creative performance of poems and stylistic analysis, however, have rarely been bedfellows. I showcase a stylistics pedagogy for creatively interpreting poetry in higher education where students make digitally multimodal storied interpretations of poems. The pedagogy reflects contemporary internet mashup culture, recognising that students inhabit a “postdigital” world where commonplace software and resources offer opportunities for DIY juxtaposition of audio and video for different purposes – artistic, comedic, etc. An advantage of such Postdigital Stylistics is that it integrates performance-based readers, marginalised in exegetical reading practices associated with print. I illustrate the pedagogy with a student video of Charles Bukowski’s poem “the bluebird”, accessible analysis of its foregrounded style, and explanation of how this analysis – crucially – motivates shot design.
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来源期刊
English in Education
English in Education EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
2.30
自引率
11.10%
发文量
30
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