创意真实性:设计教育中支持学生自我的框架

IF 1.1 4区 教育学 0 ART
Zachary Vernon, Analee Paz
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引用次数: 1

摘要

本文介绍了设计教育中的一种教学方法,即创造性真实性。创造性真实性被定义为通过内在动机、自我意识和自我肯定的行动和理由来学习创造的持续过程。这一概念的基础是建构主义学习理论、后现代主义的多元主义和文化立场观、安东尼·吉登斯的反射身份理论以及关于学习内在动机的学术。这种意识形态旨在以对每个学生都有意义的方式个性化每个学生的学习体验,而不仅仅是对整个设计行业有用。本次对话提出了四个方法样本,通过这些方法将创造性的真实性融入课程,作为摆脱隐性偏见的起点;关注学生的学习和成长;发起有意义和赋予权力的讨论;通过合作和参与式教育设计重新定义成功。这项工作促进了以创造性真实性为基础的教学,以帮助学生通过不断发展的身份来实现自己的优势。在更广泛的背景下,教育的真实性支持边缘化群体在教育和工作中真实地反映自己、历史和经历。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Creative Authenticity: A Framework for Supporting the Student Self in Design Education

This article introduces a pedagogical approach in design education referenced as creative authenticity. Creative authenticity is defined as an ongoing process of learning to create through intrinsically motivated, self-aware and self-affirming actions and rationales. The concept is grounded in Constructivist learning theory, Postmodernist views of pluralism and cultural position, Anthony Giddens’ theory of reflexive identities, and scholarship on intrinsic motivation in learning. This ideology seeks to personalise the learning experience for each student in ways that are meaningful to their person, not just useful to the design industry, at large. This conversation proposes four samples of methodology by which to infuse creative authenticity into curriculum as a starting point for shaking off implicit biases; focusing on student learning and growth; initiating meaningful and empowering discussions; and redefining success through collaborative and participatory educational design. This work promotes teaching with creative authenticity as a foundation to help students realise their strengths through their ever-evolving identities. In a broader context, authenticity in education supports marginalised groups to see themselves, their histories and their experiences authentically reflected in their education and work.

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来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
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