我是一个来自东京的虚拟女孩:虚拟影响者、数字东方主义以及种族和性别的物质性

IF 2.4 3区 社会学 Q1 CULTURAL STUDIES
E. Miyake
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引用次数: 8

摘要

通过关注来自日本的虚拟影响者Imma,本文在虚拟性、物质性和数字消费的背景下对日本的种族主义和性别进行了批判性的审视。这篇文章有两个关键问题。首先,文章提出了符号非物质主义的概念,作为对“虚拟影响者”进行理论化的一种方式,这是“西方”一种相对较新的现象,出现在社交媒体和网络影响者的消费者驱动世界中。在这里,讨论将主要集中在虚拟数字消费中涉及的各种种族化和性别化的物质,以及它与在线生产消费者实践的关系。其次,本研究还对“西方”流行媒体文本向消费者呈现日本虚拟性的方式提出了问题。有人认为,这些构成了对种族化和性别化的日本另类性的数字东方主义话语。虚拟性如何使物质消费的概念复杂化?虚拟影响者如何挑战和/或强化种族和性别的规范意识形态?这项研究采用跨学科的方法,通过对伊玛的Instagram图片和说明以及关于伊玛的“西方”流行媒体文本进行文本分析来解决这些问题。最终,有人认为,伊玛作为一个虚拟影响者,代表了日本种族和性别的物质性是如何通过日本虚拟性的数字和自我东方主义商品化而实现的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
I am a virtual girl from Tokyo: Virtual influencers, digital-orientalism and the (Im)materiality of race and gender
By focussing on Imma – a virtual influencer from Japan – this article provides a critical examination of Japanese raciality and gender within the context of virtuality, (im)materiality and digital consumption. This piece has two key concerns. Firstly, the article proposes the idea of semiotic immaterialism as a way to theorise the ‘virtual influencer’, a relatively new phenomenon in ‘the West’ to emerge from the consumer-driven world of social media and online influencers. Here, the discussion will focus predominantly on the various racialised and gendered (im)materialities involved in the digital consumption of virtuality, and its relationship to prosumerist practices online. Secondly, this study also problematises the ways in which ‘Western’ popular media texts present Japanese virtuality to consumers. It is argued that these constitute digital-Orientalist discourses of racialised and gendered Japanese Otherness. How does virtuality complicate the idea of (im)material consumption? How do virtual influencers challenge and/or reinforce normative ideologies of race and gender? Taking an interdisciplinary approach, the study addresses these questions through textual analyses conducted on Imma’s Instagram images and captions, alongside ‘Western’ popular media texts about Imma. Ultimately, it is argued that Imma, as a virtual influencer, represents how the (im)materiality of Japanese race and gender is materialised through the digital- and self-Orientalist commodification of Japanese virtuality.
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来源期刊
CiteScore
5.70
自引率
3.80%
发文量
36
期刊介绍: The Journal of Consumer Culture is a major new journal designed to support and promote the dynamic expansion in interdisciplinary research focused on consumption and consumer culture, opening up debates and areas of exploration. Global in perspective and drawing on both theory and empirical research, the journal reflects the need to engage critically with modern consumer culture and to understand its central role in contemporary social processes. The Journal of Consumer Culture brings together articles from the many social sciences and humanities in which consumer culture has become a significant focus. It also engages with overarching contemporary perspectives on social transformation.
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