{"title":"我是一个来自东京的虚拟女孩:虚拟影响者、数字东方主义以及种族和性别的物质性","authors":"E. Miyake","doi":"10.1177/14695405221117195","DOIUrl":null,"url":null,"abstract":"By focussing on Imma – a virtual influencer from Japan – this article provides a critical examination of Japanese raciality and gender within the context of virtuality, (im)materiality and digital consumption. This piece has two key concerns. Firstly, the article proposes the idea of semiotic immaterialism as a way to theorise the ‘virtual influencer’, a relatively new phenomenon in ‘the West’ to emerge from the consumer-driven world of social media and online influencers. Here, the discussion will focus predominantly on the various racialised and gendered (im)materialities involved in the digital consumption of virtuality, and its relationship to prosumerist practices online. Secondly, this study also problematises the ways in which ‘Western’ popular media texts present Japanese virtuality to consumers. It is argued that these constitute digital-Orientalist discourses of racialised and gendered Japanese Otherness. How does virtuality complicate the idea of (im)material consumption? How do virtual influencers challenge and/or reinforce normative ideologies of race and gender? Taking an interdisciplinary approach, the study addresses these questions through textual analyses conducted on Imma’s Instagram images and captions, alongside ‘Western’ popular media texts about Imma. Ultimately, it is argued that Imma, as a virtual influencer, represents how the (im)materiality of Japanese race and gender is materialised through the digital- and self-Orientalist commodification of Japanese virtuality.","PeriodicalId":51461,"journal":{"name":"Journal of Consumer Culture","volume":"23 1","pages":"209 - 228"},"PeriodicalIF":2.4000,"publicationDate":"2022-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"8","resultStr":"{\"title\":\"I am a virtual girl from Tokyo: Virtual influencers, digital-orientalism and the (Im)materiality of race and gender\",\"authors\":\"E. Miyake\",\"doi\":\"10.1177/14695405221117195\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"By focussing on Imma – a virtual influencer from Japan – this article provides a critical examination of Japanese raciality and gender within the context of virtuality, (im)materiality and digital consumption. This piece has two key concerns. Firstly, the article proposes the idea of semiotic immaterialism as a way to theorise the ‘virtual influencer’, a relatively new phenomenon in ‘the West’ to emerge from the consumer-driven world of social media and online influencers. Here, the discussion will focus predominantly on the various racialised and gendered (im)materialities involved in the digital consumption of virtuality, and its relationship to prosumerist practices online. Secondly, this study also problematises the ways in which ‘Western’ popular media texts present Japanese virtuality to consumers. It is argued that these constitute digital-Orientalist discourses of racialised and gendered Japanese Otherness. How does virtuality complicate the idea of (im)material consumption? How do virtual influencers challenge and/or reinforce normative ideologies of race and gender? Taking an interdisciplinary approach, the study addresses these questions through textual analyses conducted on Imma’s Instagram images and captions, alongside ‘Western’ popular media texts about Imma. Ultimately, it is argued that Imma, as a virtual influencer, represents how the (im)materiality of Japanese race and gender is materialised through the digital- and self-Orientalist commodification of Japanese virtuality.\",\"PeriodicalId\":51461,\"journal\":{\"name\":\"Journal of Consumer Culture\",\"volume\":\"23 1\",\"pages\":\"209 - 228\"},\"PeriodicalIF\":2.4000,\"publicationDate\":\"2022-08-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"8\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Consumer Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/14695405221117195\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Consumer Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/14695405221117195","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
I am a virtual girl from Tokyo: Virtual influencers, digital-orientalism and the (Im)materiality of race and gender
By focussing on Imma – a virtual influencer from Japan – this article provides a critical examination of Japanese raciality and gender within the context of virtuality, (im)materiality and digital consumption. This piece has two key concerns. Firstly, the article proposes the idea of semiotic immaterialism as a way to theorise the ‘virtual influencer’, a relatively new phenomenon in ‘the West’ to emerge from the consumer-driven world of social media and online influencers. Here, the discussion will focus predominantly on the various racialised and gendered (im)materialities involved in the digital consumption of virtuality, and its relationship to prosumerist practices online. Secondly, this study also problematises the ways in which ‘Western’ popular media texts present Japanese virtuality to consumers. It is argued that these constitute digital-Orientalist discourses of racialised and gendered Japanese Otherness. How does virtuality complicate the idea of (im)material consumption? How do virtual influencers challenge and/or reinforce normative ideologies of race and gender? Taking an interdisciplinary approach, the study addresses these questions through textual analyses conducted on Imma’s Instagram images and captions, alongside ‘Western’ popular media texts about Imma. Ultimately, it is argued that Imma, as a virtual influencer, represents how the (im)materiality of Japanese race and gender is materialised through the digital- and self-Orientalist commodification of Japanese virtuality.
期刊介绍:
The Journal of Consumer Culture is a major new journal designed to support and promote the dynamic expansion in interdisciplinary research focused on consumption and consumer culture, opening up debates and areas of exploration. Global in perspective and drawing on both theory and empirical research, the journal reflects the need to engage critically with modern consumer culture and to understand its central role in contemporary social processes. The Journal of Consumer Culture brings together articles from the many social sciences and humanities in which consumer culture has become a significant focus. It also engages with overarching contemporary perspectives on social transformation.