{"title":"“沉默之家”:西班牙内战期间纽约西班牙裔和西班牙裔之间的政治沉默和文化冲突","authors":"Cristina Pérez Jiménez","doi":"10.1353/RHM.2021.0002","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay sets the politically circumspect response to the Spanish Civil War embraced professionally by Federico de Onís, as well as institutionally by the Casa de las Españas, which Onís directed, against the backdrop of emphatic, vocal opposition from the New York Hispanic community. By analyzing a series of open letters between Onís and Hispanic activists published in the New York Spanish-language Leftist daily La Voz (1937-39) and depictions of Onís and the Casa de las Españas that circulated in the city's antifascist print culture, such as the poetry collection Bombas de Mano (1938), this essay demonstrates the growing divide between the city's Hispanics, who were overwhelmingly working-class and committed antifascists, and the city's Hispanists, such as Onís, who refrained from public political activism, in favor of advancing a cultural agenda that purportedly transcended the politics of the time. Ultimately, as the essay argues, this schism, which was anchored in competing visions of the role of culture and its relation to the political terrain, provides early, constitutive underpinnings to the institutional divide between the fields of Hispanism and what would later become U.S. Latino Studies.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"74 1","pages":"81 - 94"},"PeriodicalIF":0.1000,"publicationDate":"2021-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/RHM.2021.0002","citationCount":"0","resultStr":"{\"title\":\"\\\"Silencio en la Casa\\\": Political Silence and Cultural Conflict between Hispanists and Hispanics in New York during the Spanish Civil War\",\"authors\":\"Cristina Pérez Jiménez\",\"doi\":\"10.1353/RHM.2021.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This essay sets the politically circumspect response to the Spanish Civil War embraced professionally by Federico de Onís, as well as institutionally by the Casa de las Españas, which Onís directed, against the backdrop of emphatic, vocal opposition from the New York Hispanic community. By analyzing a series of open letters between Onís and Hispanic activists published in the New York Spanish-language Leftist daily La Voz (1937-39) and depictions of Onís and the Casa de las Españas that circulated in the city's antifascist print culture, such as the poetry collection Bombas de Mano (1938), this essay demonstrates the growing divide between the city's Hispanics, who were overwhelmingly working-class and committed antifascists, and the city's Hispanists, such as Onís, who refrained from public political activism, in favor of advancing a cultural agenda that purportedly transcended the politics of the time. Ultimately, as the essay argues, this schism, which was anchored in competing visions of the role of culture and its relation to the political terrain, provides early, constitutive underpinnings to the institutional divide between the fields of Hispanism and what would later become U.S. Latino Studies.\",\"PeriodicalId\":44636,\"journal\":{\"name\":\"Revista Hispanica Moderna\",\"volume\":\"74 1\",\"pages\":\"81 - 94\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-03-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/RHM.2021.0002\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Hispanica Moderna\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/RHM.2021.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Hispanica Moderna","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/RHM.2021.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
摘要:在纽约拉美裔社区强烈反对的背景下,费德里科·德·奥尼斯(Federico de Onís)和由奥尼斯执导的西班牙之家(Casa de las Españas)对西班牙内战进行了专业的政治审慎回应。本文通过分析发表在纽约西班牙语左翼日报La Voz(1937-39)上的一系列Onís和西班牙裔活动家之间的公开信,以及在该市反法西斯印刷文化中流传的对Oní斯和Casa de las Españas的描述,如诗集《Bombas de Mano》(1938),他们绝大多数是工人阶级,致力于反法西斯主义,而该市的伊斯帕尼派,如Onís,则避免公开的政治激进主义,支持推进据称超越当时政治的文化议程。最终,正如文章所说,这种分裂植根于对文化作用及其与政治地形关系的相互竞争的愿景,为伊斯帕尼主义和后来的美国拉丁裔研究领域之间的制度分歧提供了早期的构成基础。
"Silencio en la Casa": Political Silence and Cultural Conflict between Hispanists and Hispanics in New York during the Spanish Civil War
ABSTRACT:This essay sets the politically circumspect response to the Spanish Civil War embraced professionally by Federico de Onís, as well as institutionally by the Casa de las Españas, which Onís directed, against the backdrop of emphatic, vocal opposition from the New York Hispanic community. By analyzing a series of open letters between Onís and Hispanic activists published in the New York Spanish-language Leftist daily La Voz (1937-39) and depictions of Onís and the Casa de las Españas that circulated in the city's antifascist print culture, such as the poetry collection Bombas de Mano (1938), this essay demonstrates the growing divide between the city's Hispanics, who were overwhelmingly working-class and committed antifascists, and the city's Hispanists, such as Onís, who refrained from public political activism, in favor of advancing a cultural agenda that purportedly transcended the politics of the time. Ultimately, as the essay argues, this schism, which was anchored in competing visions of the role of culture and its relation to the political terrain, provides early, constitutive underpinnings to the institutional divide between the fields of Hispanism and what would later become U.S. Latino Studies.