奥西普·曼德尔施塔姆:音乐即哲学

IF 0.1 4区 哲学 Q4 Arts and Humanities
P. Volkova
{"title":"奥西普·曼德尔施塔姆:音乐即哲学","authors":"P. Volkova","doi":"10.1080/10611967.2021.1928953","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article addresses the issue of music in the works of Osip Mandelstam. Based on works of both Russian and international scholars, the author examines the markers for music as philosophy in Mandelstam’s poetry and prose. The author identifies the common foundations of music and law, including freedom, measure, and harmony, to build the following system of argumentation. Mandelstam’s panmusical approach is rooted in a special sense of the poet’s language, of its nonverbal basis, while also serving as a starting point for thought to come into being, as the origin of personal transformation. Music in Mandelstam’s life and work thus acts as a general law of the universe, as immutable for the natural world as it is for the world of man and the world of culture.","PeriodicalId":42094,"journal":{"name":"RUSSIAN STUDIES IN PHILOSOPHY","volume":"59 1","pages":"146 - 153"},"PeriodicalIF":0.1000,"publicationDate":"2021-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Osip Mandelstam: Music as Philosophy\",\"authors\":\"P. Volkova\",\"doi\":\"10.1080/10611967.2021.1928953\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article addresses the issue of music in the works of Osip Mandelstam. Based on works of both Russian and international scholars, the author examines the markers for music as philosophy in Mandelstam’s poetry and prose. The author identifies the common foundations of music and law, including freedom, measure, and harmony, to build the following system of argumentation. Mandelstam’s panmusical approach is rooted in a special sense of the poet’s language, of its nonverbal basis, while also serving as a starting point for thought to come into being, as the origin of personal transformation. Music in Mandelstam’s life and work thus acts as a general law of the universe, as immutable for the natural world as it is for the world of man and the world of culture.\",\"PeriodicalId\":42094,\"journal\":{\"name\":\"RUSSIAN STUDIES IN PHILOSOPHY\",\"volume\":\"59 1\",\"pages\":\"146 - 153\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-03-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSIAN STUDIES IN PHILOSOPHY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10611967.2021.1928953\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSIAN STUDIES IN PHILOSOPHY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10611967.2021.1928953","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

本文探讨奥西普·曼德尔施塔姆作品中的音乐问题。根据俄罗斯和国际学者的作品,作者考察了曼德尔施塔姆诗歌和散文中音乐作为哲学的标志。作者从自由、尺度、和谐等音乐与法律的共同基础出发,构建了以下的论证体系。曼德尔施塔姆的泛音乐方法植根于诗人语言的一种特殊意义,它的非语言基础,同时也作为思想形成的起点,作为个人转变的起源。因此,在曼德尔施塔姆的生活和作品中,音乐就像宇宙的一般规律一样,对自然界和对人类世界和文化世界一样是永恒不变的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Osip Mandelstam: Music as Philosophy
ABSTRACT This article addresses the issue of music in the works of Osip Mandelstam. Based on works of both Russian and international scholars, the author examines the markers for music as philosophy in Mandelstam’s poetry and prose. The author identifies the common foundations of music and law, including freedom, measure, and harmony, to build the following system of argumentation. Mandelstam’s panmusical approach is rooted in a special sense of the poet’s language, of its nonverbal basis, while also serving as a starting point for thought to come into being, as the origin of personal transformation. Music in Mandelstam’s life and work thus acts as a general law of the universe, as immutable for the natural world as it is for the world of man and the world of culture.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Russian Studies in Philosophy publishes thematic issues featuring selected scholarly papers from conferences and joint research projects as well as from the leading Russian-language journals in philosophy. Thematic coverage ranges over significant theoretical topics as well as topics in the history of philosophy, both European and Russian, including issues focused on institutions, schools, and figures such as Bakhtin, Fedorov, Leontev, Losev, Rozanov, Solovev, and Zinovev.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信