阿曼达·拉巴尔卡的文学:一个哲学-政治项目

IF 0.1 0 PHILOSOPHY
Gonzalo Salas, Juan David Millán, Matias G. Flores, Gabriela Albornoz, José Ramos-Vera, M. Winkler
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引用次数: 0

摘要

从哲学和政治的角度分析了智利杰出知识分子阿曼达·拉巴卡的两部文学作品。第一部作品《青春印象》(Impressions of Youth)将拉巴卡定位为西班牙裔美国作家的批判性读者,并表明了她对艾米莉亚·帕尔多·巴赞(Emilia Pardo Bazán)的兴趣,她坚持巴赞的女权主义。在《黎明的面纱》(Unveilings at Dawn)中,她的尼采主义得到了揭示,她要求对战争产生的虚无主义和价值观的绝对相对性进行某种抵抗。这两部作品都让我们认识到她在二十世纪上半叶新哲学的关键。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The literary in Amanda Labarca: a philosophical-political project
Two literary works of the outstanding Chilean intellectual Amanda Labarca are analyzed from a philosophical and political point of view. The first work, Impressions of Youth, positions Labarca as a critical reader of Spanish-American authors and makes visible her interest in Emilia Pardo Bazán, whose feminism she adheres to. In Unveilings at Dawn, her Nietzscheanism is revealed, through which she demands a kind of resistance to the nihilism produced by war and the absolute relativity of values. Both works allow us to recognize the keys of her new philosophy in the first half of the twentieth century.
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CiteScore
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