可持续范式的转变:过去智慧与未来愿景的交叉

Q1 Arts and Humanities
A. Kantawala
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引用次数: 0

摘要

越来越多样化的社区和复杂的数字教室,众多的理论视角继续照亮我们的道路。作为教育工作者,我们从有影响力的学者那里汲取灵感,每个人都对我们的教育意识和实践做出了独特的贡献。社会学家和民权活动家杜波依斯(W.E.B.Du Bois,1926)在我们对种族平等的理解上留下了不可磨灭的印记。哲学家、女权主义者和政治活动家Angela Davis(2016)在领导废除监狱运动的同时,进一步阐明了美国种族、阶级和性别的交叉性。教育理论家Gloria Ladson Billings(1995)通过她在文化相关教育学方面的工作,扩大了我们对包容性的关注,并揭示了教育中的成就差距和不平等。约翰·杜威(John Dewey,1938)的实践学习哲学至今仍在倡导学生积极参与和个体能动性的课堂环境中产生共鸣。艺术和教育之间的深刻联系在Maxine Greene(2001)的作品中得到了体现,她致力于建立一个基于社会想象力的课程,以培养创造力和批判性思维。艺术的变革力量与Elliot Eisner(2002)的大力倡导相一致,他将教育想象力与艺术中的专注学习相结合,以促进综合教学方法。最后,在线和远程教育领域的关键研究员Tony Bates(2015)扩大了我们对数字技术教学意义的认识。这些观点迫使我们超越传统的界限进行思考,认识到艺术作为一门学科的流动性,并认识到在我们多样化、相互关联的世界中教学的复杂性。当我们努力应对全球疫情的后果和占主导地位的社会运动的影响时,像这样的学者的贡献成为我们作为教育工作者的生命线。它们将我们锚定在基本原则上,同时鼓励创新和适应,以维持我们的教学实践。它们进一步强调了艺术作为一种表达手段、一种对社会条件的批判视角以及一种变革、抵抗和促进的媒介的独特作用。可持续范式改变了过去智慧和未来愿景的交叉点Ami Kantawala
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sustainable Paradigm Shifts: Intersections of Past Wisdom and Future Vision
increasingly diverse communities, and complex digital classrooms, a multitude of theoretical perspectives continues to illuminate our pathways. As educators, we draw inspiration from influential scholars, each making unique contributions to our educational consciousness and practices. W. E. B. Du Bois (1926), a sociologist and civil rights activist, made lasting marks on our understanding of racial equality. Angela Davis (2016), a philosopher, feminist, and political activist, further illuminates the intersectionality of race, class, and gender in America while spearheading prison abolition movements. Educational theorist Gloria Ladson-Billings (1995) expands our focus on inclusivity and sheds light on the achievement gaps and inequities in education through her work on culturally relevant pedagogy. John Dewey’s (1938) pragmatic philosophy of learning by doing still resonates in classroom settings today that advocate for active student engagement and individual agency. The profound link between the arts and education finds expression in the work of Maxine Greene (2001), who campaigned for a curriculum founded on social imagination to foster creativity and critical thinking. The transformative power of the arts aligns with the strong advocacy of Elliot Eisner (2002), who fuses the educational imagination with mindful learning in the arts to promote an integrated approach to teaching. Finally, our awareness of the pedagogical implications of digital technologies is expanded by Tony Bates (2015), a key researcher in the realm of online and distance education. These perspectives compel us to think beyond traditional boundaries, recognizing the fluidity of art as a discipline and acknowledging the evolving complexities of teaching and learning in our diverse, interconnected worlds. As we grapple with the aftermath of a global pandemic and the effects of dominant social movements, the contributions of scholars like these become our lifeline as educators. They anchor us in foundational principles, concurrently encouraging innovation and adaptation to sustain our teaching and learning practices. They further highlight the distinct role of the arts as a means of expression, a critical lens into societal conditions, and an agent of change, resistance, and enablement. Sustainable Paradigm Shifts Intersections of Past Wisdom and Future Vision Ami Kantawala
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来源期刊
Art Education
Art Education Arts and Humanities-Visual Arts and Performing Arts
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