“就这样来吧。我们是一家人。:在社会研究中考察嘻哈、归属感和公民意识

IF 2.5 2区 教育学 Q1 EDUCATION & EDUCATIONAL RESEARCH
Delandrea Hall
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引用次数: 0

摘要

摘要嘻哈是一种文化现象,深深植根于黑人和拉丁裔青年的集体知识和抵抗,他们经常被传统的社会研究课程所忽视。尽管嘻哈文化已经在学校内传播,但社会研究尚未涉及参与嘻哈文化的教师和学生的公民身份和批判性理解。这项关键的定性研究利用承认和归属的政治作为视角,考察了四名黑人和拉丁裔教师对嘻哈文化的使用如何颠覆了占主导地位的公民观念。这些教师批判性的嘻哈教学实践揭示了一种批判性的公民性,这种公民性通过使系统边缘化社区的公民身份、代理和成员身份变得可见并引起共鸣,从而给社会研究课程带来了麻烦。他们的工作展示了嘻哈文化如何被用来培养更具公民包容性和吸引力的空间,以及公民认可和归属感在社会研究课堂上的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Come as you are. We are a family.”: Examining Hip Hop, belonging, and civicness in social studies
ABSTRACT Hip Hop is a cultural phenomenon deeply rooted in the collective knowledge and resistance of Black and Latina/o(x) youth, who are often silenced or missing from the traditional social studies curriculum. Even as the culture’s presence has spread within schools, the social studies has yet to engage with the civic identities and critical understandings of teachers and students who participate in Hip Hop culture. This critical qualitative study utilizes the politics of recognition and belonging as lenses to examine how the use of Hip Hop culture by four Black and Latina/o(x) teachers disrupts dominant notions of citizenship. These teachers’ critical Hip Hop pedagogical practices revealed a critical civicness that worked to trouble the social studies curriculum by making visible and resonant the civic identity, agency, and membership of systemically marginalized communities. Their work demonstrates how Hip Hop culture can be used to foster more civically inclusive and engaging spaces, as well as the importance of civic recognition and belonging in social studies classrooms.
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来源期刊
Theory and Research in Social Education
Theory and Research in Social Education EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
6.30
自引率
30.80%
发文量
36
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