青年奥西普·曼德尔施塔姆哲学诗歌作品中的“北方”母题

IF 0.1 4区 哲学 Q4 Arts and Humanities
A. Kara-Murza
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引用次数: 1

摘要

本文考察了曼德尔施塔姆(1891-1938)早期哲学诗歌作品中的文化-文明自我认同问题。作者认为,曼德尔施塔姆作为诗人受到了“俄罗斯北方”文学传统的影响,这种传统始于加夫里尔·德尔扎文和彼得·维亚泽姆斯基王子。曼德尔施塔姆是瑞典血统的俄罗斯象征主义诗人I.I. Oreus(以文学笔名“Ivan Konevskoi”)的直接文学弟子,他也极大地影响了Aleksandr Blok, Valery Bryusov和早期Boris Pasternak的作品。本文的作者认为,在革命之后,当“北彼得堡”俄国获得布尔什维克的外表时,曼德尔施塔姆的自我意识开始发生根本性的转变,导致他试图形成一种新的个人自我认同,即作为一个文化“南方”的人,不幸地发现自己处于野蛮的“北方”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Motifs of “the North” in Young Osip Mandelstam’s Philosophical–Poetic Works
ABSTRACT This article examines the problem of cultural–civilizational self-identification in the early philosophical–poetic works of Osip Emil’evich Mandelstam (1891–1938). The author argues that Mandelstam as a poet was shaped by the literary traditions of “Russian northernness,” which begins with Gavriil Derzhavin and Prince Pyotr Viazemskii. Mandelstam was a direct literary disciple of the Russian Symbolist poet of Swedish origins I.I. Oreus (under the literary pseudonym “Ivan Konevskoi”), who also greatly influenced the work of Aleksandr Blok, Valery Bryusov, and the early Boris Pasternak. The author of this article believes that after the revolution, when “northerner-Petersburg” Russia acquired a Bolshevik appearance, a radical shift began in Mandelstam’s self-consciousness, leading to his attempt to form a new personal self-identification as a man of the cultural “South” who tragically found himself in the barbaric “North.”
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Russian Studies in Philosophy publishes thematic issues featuring selected scholarly papers from conferences and joint research projects as well as from the leading Russian-language journals in philosophy. Thematic coverage ranges over significant theoretical topics as well as topics in the history of philosophy, both European and Russian, including issues focused on institutions, schools, and figures such as Bakhtin, Fedorov, Leontev, Losev, Rozanov, Solovev, and Zinovev.
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