{"title":"蘑菇的物质意识:生物制造的社会物质分析","authors":"Päivikki Liukkonen, Henriikka Vartiainen, Sirpa Kokko","doi":"10.1111/jade.12550","DOIUrl":null,"url":null,"abstract":"<p>Biomaking and other bio-oriented creative approaches are beginning to gain traction in education. Operating at the intersections of arts and sciences, they represent a field of integrative practices that involve creative making with the biological. In educational contexts, however, bio-oriented creative practices have been studied primarily from hylomorphic perspectives that do not account for the roles of different non-human organisms or other materials that participate in the processes. Drawing on theories of sociomateriality and material agency, and utilising multispecies microethnography, the paper attends to the specificities of making, makers, materials and artefacts in biomaking. It explores a case of a Finnish upper secondary school workshop implemented as part of the school's art curriculum within a larger educational development initiative. In the workshop, makers engaged with webcap mushrooms to extract, use and experiment with their pigments. The analysis builds on constructed operational sequences of the workshop activities, and a scrutiny of their interconnections, stages and participants. The paper shows how making, emergent artefacts and interplays of makers’ intentions and materialities can instate moments of relationality and learning, and thus build makers’ material awareness of the more-than-human organisms around them. The study proposes making with the biological as an attunement to our enmeshment with the environment.</p>","PeriodicalId":45973,"journal":{"name":"International Journal of Art & Design Education","volume":"44 3","pages":"545-560"},"PeriodicalIF":1.2000,"publicationDate":"2025-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Becoming Materially Aware with Mushrooms: A Sociomaterial Analysis of Biomaking\",\"authors\":\"Päivikki Liukkonen, Henriikka Vartiainen, Sirpa Kokko\",\"doi\":\"10.1111/jade.12550\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Biomaking and other bio-oriented creative approaches are beginning to gain traction in education. Operating at the intersections of arts and sciences, they represent a field of integrative practices that involve creative making with the biological. In educational contexts, however, bio-oriented creative practices have been studied primarily from hylomorphic perspectives that do not account for the roles of different non-human organisms or other materials that participate in the processes. Drawing on theories of sociomateriality and material agency, and utilising multispecies microethnography, the paper attends to the specificities of making, makers, materials and artefacts in biomaking. It explores a case of a Finnish upper secondary school workshop implemented as part of the school's art curriculum within a larger educational development initiative. In the workshop, makers engaged with webcap mushrooms to extract, use and experiment with their pigments. The analysis builds on constructed operational sequences of the workshop activities, and a scrutiny of their interconnections, stages and participants. The paper shows how making, emergent artefacts and interplays of makers’ intentions and materialities can instate moments of relationality and learning, and thus build makers’ material awareness of the more-than-human organisms around them. The study proposes making with the biological as an attunement to our enmeshment with the environment.</p>\",\"PeriodicalId\":45973,\"journal\":{\"name\":\"International Journal of Art & Design Education\",\"volume\":\"44 3\",\"pages\":\"545-560\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2025-01-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Art & Design Education\",\"FirstCategoryId\":\"95\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/jade.12550\",\"RegionNum\":4,\"RegionCategory\":\"教育学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Art & Design Education","FirstCategoryId":"95","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/jade.12550","RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Becoming Materially Aware with Mushrooms: A Sociomaterial Analysis of Biomaking
Biomaking and other bio-oriented creative approaches are beginning to gain traction in education. Operating at the intersections of arts and sciences, they represent a field of integrative practices that involve creative making with the biological. In educational contexts, however, bio-oriented creative practices have been studied primarily from hylomorphic perspectives that do not account for the roles of different non-human organisms or other materials that participate in the processes. Drawing on theories of sociomateriality and material agency, and utilising multispecies microethnography, the paper attends to the specificities of making, makers, materials and artefacts in biomaking. It explores a case of a Finnish upper secondary school workshop implemented as part of the school's art curriculum within a larger educational development initiative. In the workshop, makers engaged with webcap mushrooms to extract, use and experiment with their pigments. The analysis builds on constructed operational sequences of the workshop activities, and a scrutiny of their interconnections, stages and participants. The paper shows how making, emergent artefacts and interplays of makers’ intentions and materialities can instate moments of relationality and learning, and thus build makers’ material awareness of the more-than-human organisms around them. The study proposes making with the biological as an attunement to our enmeshment with the environment.
期刊介绍:
The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.