"夺走我们的土地:"未来城市中的幌子、欺诈和假农民

IF 1.9 1区 社会学 Q1 ANTHROPOLOGY
COURTNEY T. WITTEKIND
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引用次数: 0

摘要

本文以在缅甸仰光郊外举行的支持城市发展的示威活动为重点,探讨了 "真实 "与 "虚假"、"真实 "与 "虚假 "的二元对立,从而推进了人类学关于示威、投机和奇观的理论研究。文章追溯了一个大型城市项目的支持者和反对者对 "真正的农民 "及其 "真实愿望 "的截然相反的主张。文章认为,"前线 "的概念有助于阐明上演奇观的战略和实用框架,以及安娜-洛文豪特-青(Anna Lowenhaupt Tsing)所认为的跨国投资所产生的 "表象经济"。在叙述受项目影响的居民的社会关系和政治动机的扁平化时,"前线 "的概念通过强调当居民本身被大规模投资所创造的投机性土地市场所吸收时,日益普遍的自我和地方性的幻化,取代了简单的二元对立。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

“TAKE OUR LAND:” Fronts, Fraud, and Fake Farmers in a City-to-Come

“TAKE OUR LAND:” Fronts, Fraud, and Fake Farmers in a City-to-Come

Focusing on demonstrations held outside Yangon, Myanmar, in favor of urban development, this article intervenes in the binaries of “truth” versus “falsity” and the “genuine” versus “fake” to advance anthropological theorization on demonstration, speculation, and spectacle. The article traces contrasting claims about “real farmers” and their “genuine desires,” as marshaled by both supporters of a large-scale urban project and those who oppose it. It argues that the notion of “the front” helps illuminate the strategic and pragmatic frames in which spectacles are staged, as well as amid the “economy of appearances” that Anna Lowenhaupt Tsing argues are generated by transnational investment. Narrating the flattening of social relations and political motivations by project-affected residents, the notion of the front displaces simple binaries by emphasizing a conjuring of self and locality increasingly widespread when residents are, themselves, absorbed into the speculative land markets that large-scale investment creates.

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来源期刊
Cultural Anthropology
Cultural Anthropology ANTHROPOLOGY-
CiteScore
4.80
自引率
0.00%
发文量
41
审稿时长
52 weeks
期刊介绍: Cultural Anthropology publishes ethnographic writing informed by a wide array of theoretical perspectives, innovative in form and content, and focused on both traditional and emerging topics. It also welcomes essays concerned with ethnographic methods and research design in historical perspective, and with ways cultural analysis can address broader public audiences and interests.
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