{"title":"中国闺怨诗对美国现代派诗人威廉姆斯《寡妇的春天哀歌》的影响","authors":"Miao-miao Zhao","doi":"10.17265/2159-5836/2023.11.006","DOIUrl":null,"url":null,"abstract":"Chinese poetry has exerted a great influence on American modernist poets, especially on William Carlos Williams (1883-1963). William Carlos Williams’ The Widow’s Lament in Springtime shares some connections with Chinese Boudoir poems in theme, image, and technique. This paper tends to discuss the influence of Chinese Boudoir poems on William Carlos Williams based on his creating of The Widow’s Lament in Springtime , which provides a new perspective for studying the communication of Chinese and American poetry.","PeriodicalId":133236,"journal":{"name":"Journal of Literature and Art Studies","volume":"23 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Influence of Chinese Boudoir Poem on American Modernist Poet Williams’ The Widow’s Lament in Springtime\",\"authors\":\"Miao-miao Zhao\",\"doi\":\"10.17265/2159-5836/2023.11.006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chinese poetry has exerted a great influence on American modernist poets, especially on William Carlos Williams (1883-1963). William Carlos Williams’ The Widow’s Lament in Springtime shares some connections with Chinese Boudoir poems in theme, image, and technique. This paper tends to discuss the influence of Chinese Boudoir poems on William Carlos Williams based on his creating of The Widow’s Lament in Springtime , which provides a new perspective for studying the communication of Chinese and American poetry.\",\"PeriodicalId\":133236,\"journal\":{\"name\":\"Journal of Literature and Art Studies\",\"volume\":\"23 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Literature and Art Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17265/2159-5836/2023.11.006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Literature and Art Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17265/2159-5836/2023.11.006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Influence of Chinese Boudoir Poem on American Modernist Poet Williams’ The Widow’s Lament in Springtime
Chinese poetry has exerted a great influence on American modernist poets, especially on William Carlos Williams (1883-1963). William Carlos Williams’ The Widow’s Lament in Springtime shares some connections with Chinese Boudoir poems in theme, image, and technique. This paper tends to discuss the influence of Chinese Boudoir poems on William Carlos Williams based on his creating of The Widow’s Lament in Springtime , which provides a new perspective for studying the communication of Chinese and American poetry.