公平教学法:信念塑造师生互动

Q1 Arts and Humanities
Christina D. Chin
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引用次数: 0

摘要

注1 CRT强调将BIPOC学生的背景、经验和理解作为资产来使用,以便更有效地教授他们。关于CRP的更完整描述,请参见Gay (Citation2015)。CRP的核心是对学生学业成功的教育,对自己和他人文化的理解,以及批判观点和挑战社会不公正的能力的发展。参见Ladson-Billings (Citation1995)对crp的更详细描述。SMArt是一所社区外展艺术学校,在那里,职前艺术教育学生教师向地区青年教授艺术假名。christina D. Chin,卡拉马祖西密歇根大学Frostic艺术学院艺术教育教授。电子邮件:christina.chin@wmich.edu
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Equity Pedagogy: Beliefs Shape Teachers’ Interactions With Students
challenge White privileging (see Chin, 2015); I encourage readers to seek out this model and to embark on such paths of self-reflection as well. As an instructor of preservice art educators, I engage my students in critical self-reflection on their biases, and strongly encourage our student teachers to embrace values/ beliefs and corresponding behaviors that evidence beliefs in equity, justice, and empowerment. When I demonstrate teacher– student interactions (to be detailed shortly) as practices for my undergraduate students, I explain why we do them in terms of promoting equity, and how these actions reflect our beliefs in equity. I find that students, future art educators, are more likely to adopt these behaviors as habits when they understand why they are doing them, as they want to promote equity. My hope is that readers, both preservice and in-service art educators, will be motivated in the same way. In what follows are examples of how our equity values are exhibited by what we do—how we interact with our students. Our actions show our beliefs. First, we look at some of the key beliefs underlying our actions, as related to equity.
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来源期刊
Art Education
Art Education Arts and Humanities-Visual Arts and Performing Arts
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0.80
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