碰还是不碰?与物质性共振的功能差异。硬和软传感器嵌入在艺术研究设置

Jonas Kellermeyer, Jan Torpus, T. Kovacevic, S. Kellner, C. Spindler
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引用次数: 0

摘要

在本文中,我们提出了理论基础,创造性的发展过程,和部分评价结果在戏剧上演的互动环境中人类的行为和态度。该装置设置在一个媒体实验室中,独立的房间经过精心设计,以激发人类的情感和认知反应。相应安装的传感器-执行器系统包括不同类型的嵌入式传感器和有形接口,为参与者在艺术研究设施中行走创造了完全体现的体验。我们评估和比较了两种相反的设计方法,以研究戏剧、设计策略和布置对情感人机关联和占用过程的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
To Touch or not to Touch? Differences in Affordance Resonating with Materialities. Hard and Soft Sensors embedded in an Artistic Research Setting
In this paper, we present theoretical basics, creative development processes, and partial evaluation results of human behavior and attitude in a dramaturgically staged interactive environment. The installation is set up in a media lab and the separate rooms are carefully designed to provoke emotional and cognitive human reactions. The corresponding installed sensor-actuator system includes different types of embedded sensors and tangible interfaces to create a fully embodied experience for participants walking through the artistic research facility. We evaluate and compare two opposite design approaches to investigate the impact of dramaturgy, design strategies, and furnishing on affective human-machine correlations and appropriation processes.
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